White Nights

(reviewed at the Adnams Spiegeltent, Chapelfields, Norwich on 21 May)

White Nights is described as a circus cabaret by Race Horse Company which is presenting it. It’s an apt description for the ambiance suggests that of a nightclub with a glittering songstress presenter (Sophia Urista) inviting the audience to sing and clap along in the interludes between the actual circus acts.

Because the seating for that audience is on a non-raked floor and the stage itself is only slightly elevated, a lot of the acts which involve floor work are invisible to all but the front rows. This applies particularly to Iona Kewney whose wild acrobatics at times suggest some sort of ritual sacrificial dance. A gravity-defying Chinese pole routine is the opening number an sets the marker for what follows.

The three men in the troupe – Petri Tuominen, Rauli Kosonen and Kalle Lehto – have very different styles and skills. Some of the routines, notably those on the teeterboard combine comedy with precision skills – you have to be able to do something to near-perfection if you’re going to send it up. A nude man balancing a globe-like ball slips on a shirt and loose trousers to suggest a Pierrot fascinated by the dark side of the moon.

White Nights is part of the Norfolk & Norwich Festival continues until 29 May.

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Filed under Circus & physical theatre, Reviews 2016

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