Tom, Dick and Harry

reviewed at the Southwold Arts Centre on 1 August

Twelve years ago, attitudes were – if not more generous – less chauvinistically entrenched than today. Tom, Dick and Harry, co-written by master farceur Ray Cooney and his son Michael, has the attitudes to migration from conflicted European and Mediterranean countries, adoption and to the disposal of body-parts after research of that time, not of ours.

Director David Janson has wisely kept the farce to the period of its original production. The situation set up at the beginning is simple. Linda (Rosanna Miles) and Tom (Darrell Brockis) are expecting a visit from an adoption agency which will determine that their home will be a suitable environment and that they will be responsible parents.

Tom’s basic problem is dual-faceted. He and Linda are short of the cash needed to buy their rented house outright and he has one of hs layabout brothers Dick (Rikki Lawton) “renting” the top of the house. The third sibling Harry (Bob Dobson) just about holds down a job as a porter at a teaching hospital while inventing pie-in-the-sky schemes for getting rich.

Having borrowed Dick’s van for a cross-channel “booze cruise”, Dick has returned not just with contraband amounts of brandy and cigarettes but also a brace of stowaway Kosovan refugees – Katerina (Melissa Clements) and her grandfather Andreas (James Morley). All of whom, together with some purloined human remains, are littering up the house.

Mrs Potter (Claire Jeater) from the adoption agency is due any minute now. You can guess the rest, even up to the intervention of the local PC (Michael Shaw) and the intrusion of the people-smuggling capo Boris (Richard Blaine). It’s all fast and furious with the brotherly trio earning applause when miming attempts to communicate with the non-English speaking Kosovans.

Tory Cobb has kept the setting simple, with the all-important doors – you can’t have a farce without them and they keep stage management busy – and a flight of stairs behind a simple(?) sofa and armchair. Jeater has a nice line in pursed-lip affrontedness and Morley thoroughly revels in Andreas’ trumpet-playing and weakness for the bottle. But the evening belongs to Tom, Dick and Harry.

Four star rating.

Tom, Dick and Harry runs at the Southwold Arts Centre until 12 August with matinées on 3, 5, 10 and 12 August. It transfers to the Jubilee Hall, Aldeburgh between 14 and 19 August with matinées on 17 and 19 August.

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Filed under Plays, Reviews 2017

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