(reviewed at the Stutton Community Centre on 4 June)
The year is 1926, with the General Strike at its zenith. The memories of the world war which ended a mere eight years previously are still very much alive; some even festering. The desire to know certainties about deceased loved ones – including their after-life – is rampant. Fine pickings for spiritualists and mediums, at any rate in theory.
Many of these believed, as did their clients, that they did have special powers and insight. Many also were charlatans, mere performers. It is with one such that we are confronted in Common Ground’s latest tour. The Unhappy Medium is a three-hander, both in the acting and the creation. The script is by Pat Whymark (who also directs), Julian Harries and Patrick Marlowe.
Central to the story is Montague Faulke (Harries), the by-blow of a landed aristocrat who desperately wants the family’s recognition; some of its wealth would also be welcome. His colleague and, we learn, his lover as well as general fixe and dogsbody is an East End Jew of socialist tendencies, Aubrey Solomon (Marlowe). An appointment is booked by a journalist posing as a genuine seeker for contact with the spirit world.
But Morton McLean (Dick Mainwaring), hounded by an editor greedy for front-page headline, is himself a split personality with more on his mind than exposing deceptions and protecting the vulnerable. it’s a farcical comedy in which we are never quite sure whether the role-playing is more sincere than the characters are prepared to admit. Even to themselves.
All three performers go at it with gusto. Harries turns in an over-the-top portrait of a man out of his time and place. Mainwaring is extremely funny as mcLean, especially when his research requires him to do woman’s clothing and attach himself to a cumbersome recording machine. It is Marlowe though who walks away with the show, giving us the eternal cheeky-chappy Cockney as well as the man of principles shouldering an enormous chip.
The Unhappy Medium tours community and arts centres in East Anglia until 9 July, including the John Peel Centre, Stowmarket (16 June), The Cut, Halesworth (25 June) and the Sir John Mills Theatre, Ipswich (7-9 July).