reviewed at the Mercury Theatre, Colchester on 1 March
Tim Luscombe’s adaptation of Henry James’ ghost mystery novella attempts to leave the questions it poses open to whatever interpretation each member of its audience chooses to place on the characters and situations.
Director Daniel Buckroyd is thus handed a difficult task, for any staging is by its very nature a matter of definition. What we see are flesh-and-blood actors, however insubstantial or even perverse the psychology of the characters they portray.
Sara Perks’ setting offers a sequence of arches stretching back to mirror the theatre’st own proscenium. Within these there are minimal furnishings – a table, chairs, a rocking-horse, a hat-stand. Across the back, projections and Matt Leventhall’s lighting take us outside the house at Bly.
Central to the action and never off-stage is Carli Norris as the Governess. We meet her first in middle-age, apparently being interviewed by Mrs Conray (Annabel Smith) for a new post. But it her first engagement, at Bly, about which she is most pressingly questioned. Why is revealed by the disclosure that Mrs Conray is the adult Flora.
That gives Smith the opportunity, which she takes, to show us the assured matron secure in society as well as the dissatisfied girl on the cusp of womanhood. Michael Hanratty plays the man-about-town who employs the Governess, turning her head with his attentions to her as a woman while off-loading responsibility.
Hanratty also plays Miles, the young boy with an angelic face who may – or may not – have been expelled from school for good reasons. He gives us another well-contrasted dual portrait. Housekeeper Mrs Grose is played by Maggie McCarthy as a woman who does her best but ultimately has limited authority.
Always in the background – literally so in this production – are the two dead former employees, the governess Miss Jessel and the valet Peter Quint. We see them mainly as shadows, ambiguously credited in the programme as Jen Holt and Tom Macqueen. Understudy here is a word which can be taken many ways.
It all holds together as a piece of theatre, but it’s one which never quite delivers as much as it promises thus leaving a sense of dissatisfaction. Or should that be seen as unfulfilment?
Three and a half-star rating.
The Turn of the Screw runs at the Mercury Theatre, Colchester until 10 March with matinées on 3, 8 and 10 March. It is then on national tour until 26 May.