The Height of the Storm

reviewed at the Cambridge Arts Theatre on 10 September

Time shifting is a well-established dramatic device. Florian Zeller’s The Height of the Storm makes it more a matter of time slipping, something which is not confined to those on the brink of what used to be called senile dementia.

André in his heyday was a towering creative personality. Now his world is confined to the book-filled house and over-growing garden he shares with his wife Madeleine. Their daughters Anne and Elise watch their father crumble, mentally if not physically.

A high-quality residential home is one solution, but the house will need to be sold to fund it. In their different ways, André, Madeleine and Anne fight shy of this option, though Elise – whose current boyfriend is an estate agent – sees things differently.

The translation is by Christopher Hampton, and director Jonathan Kent allows the text space to breathe. Anthony Ward’s design include a front gauze onto which a negative projection of skeleton twigs and branches suggests both fragility and uncertainty.

Jonathan Pryce as André gives a marvellously nuanced performance of an intellect crumbling in a body which is itself fragmenting from the charismatic lover and intellectual of the past. You can see why Madeleine has always supported him.

This wife is no cipher or shadow to a male genius, as Eileen Atkins makes clear;  Madeleine’s absences, whether temporary forays to cull herbs or otherwise, leaves a void. Atkins, even more than Pryce, is the pivot upon which the whole play depends.

Amanda Drew’s Anne and Anna Madeley’s Elise are well-contrasted studies in latent sibling rivalry; neither is completely selfish nor completely honest. The discordant quartet is joined by Lucy Cohu as a woman from André’s past and James Hillier as Elise’s lover.

There is no interval with just that gauze with its unnerving suggestion of vulnerable delicacy to indicate scene breaks. Audience chatter during the first such interlude had faded into silence by the last one. Were we all looking into our own futures? Perhaps.

Four and a half-star rating.

The Height of the Storm runs at the Cambridge Arts Theatre until 15 September before transferring to Wyndham’s Theatre.

 

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Filed under Plays, Reviews 2018

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