(reviewed at the Theatre Royal, Norwich on 10 October)
The front rows of the audience for this touring production seem the province of a flight of chittering chattering young women, much like the ones who spill out onto the stage in the play itself after a performance by The Chippendales. Simon Beaufoy’s script is based on the 1997 film about a group of steel workers made redundant by their factory’s closure.
Star of the show is Robert Jones’ set, showing the vandalised factory interior with its broken window panes, which transmutes seamlessly into all the other locations. The core of the drama is the relationship between Gaz (Gary Lucy), his estranged wife Mandy (Charlotte Power) and their son Nathan (played very well on the opening night by Reiss Ward). Parallel to their story is that of former foreman Gerald (Andrew Dunn), who leaves for his non-existent work daily, though not fooling wife Jean (Fiona Skinner) for long.
You can believe in both these couples, though Gaz’s former colleagues come over much more as types than people. The Job Centre and Job Club scenes work well, as does Gerald’s thwarted interview for a new job, spoiled by his former colleagues’ impromptu Punch and Judy show – which they think hilarious but which in retrospect is just plain thoughtless, if not downright cruel.
Those occupants of the front rows do get their money’s worth in the final strip-tease routine. Choreograhpyis by Ian West and lighting (very important for this show) by Tim Lutkin. The director is Jack Ryder.
The Full Monty runs at the Theatre Royal, Norwich ntil 15 October with matinées on 12 and 15 October.