(reviewed at the Hippodrome, Great Yarmouth on 12 May)
The early 20th century Hippodrome Circus building just west of Great Yarmouth’s seafront offers opportunities for 21st century spectacle in a production of what is arguably Shakespeare’s last complete play which reflects the early 17th century masque tradition. Director William Galinsky takes full advantage of the space.
Visually, you can’t fault this production designed by Laura Hopkins. Two semi-circular beds of mudflats with a causeway running between them, as at Mersea Island down the coast, aerial acrobats (Lost in Translation Circus), swimmers, strange hooded sea monsters in human form, rain and floods – what more could you ask for? Well, clarity of speech would be helpful; too many cast members at the performance I saw seemed to be suffering from an epidemic of the mumbles.
As Miranda, Pi Laborde Noguez is the principal offender. Tony Guilfoyl’s Prospero is mostly audible, and credible in his portrayal of a man who slowly comes to abrogate the consuming bitterness which has enveloped him since he was ast adrift from his duchy. Jane Leaney is a string Ariel, alternatively swathed in magenta and black and suggesting that, once free, she might well be Prospero’s proper mate.
Ferdinand in Freddy Carter’s interpretation has a good balance between teenage naïveté and a growing awareness that tasks are worth accomplishing properly, not a bad philosophy for a future king. Graeme McKnight makes no attempt to play Caliban for sympathy; this son of Sycorax is truly his mother’s offspring. Ravi Aujla gives Alonso a dignity which at times seems at odd with his previous support for Oliver Senton’s usurping Antonio. Antonio’s mirror-image is of course Adam Burton’s power-hungry Sebastian.
Colin Hurley’s Stephano is an almost-lovable rogue Stephano with John McCarthy as his side-kick (literally) Trinculo. Elder staesman Gonzalo is given a gentle characterisation by Christopher Saul; this is a man who knows that you can do as much good by stealth as with the fanfare of trumpets. When the banquet of sugar subtleties floats towards the shipwrecked nobles, it is he alone who can lie back and enjoy the fruits.
The Tempest continues at the Hippodrome, Great Yarmouth until 21 May with matinées on 14 and 21 May. It is part of this year’s Norfolk & Norwich Festival.