(reviewed at the Corn Exchange, King’s Lynn on 5 October)
The Russian State Ballet & Opera Theatre of Astrakhan has brought an intriguing production of Swan Lake to Britain for its autumn tour (3 October to 3 December); late winter tour dates are yet to be announced. Artistic director Konstantin Uralsky sets the story in the early 19th century, reminiscent of the “peace” social scenes of War and Peace. The first act costumes are attractive and the dancers equally so with neat footwork and elegant arms.
In this version Prince Siegried (Danil Sokolov)’s tutor is Von Rothbart (Maksim Melnikov), a black-clothed mentor gliding through the palace with a disquieting aura of menace. The swans are his private preserve, a secret magical theatre to which he inveigles the brooding, restless Siegfried – though you wouldn’t know that if you hadn’t read the programme notes. It’s much less of a mime and more of a dancing role than in other versions and well executed.
Benno is danced by Vslovod Tabachuk, whose jumps and turns provide some of the evening’s most exciting moments. Sokolov is somewhat upstaged (and out-performed) by his Mercutio-like friend throughout. The dainty pas de quatre performed as entertinment for the Queen (Anna Nikonova) is danced by Karina Manopova, Victoria Chuvyleva, Arthur Almukhametov and Bulat Gareev; the boys are less assured in their footwork, jumps and landlings than the girls.
When we reach the first lakesid scene, the corps de ballet provide the right mixture of technique and lyricism. Unfortuntaely Anastasia Turchina’s Odette is short on visual expression and personality; she dances with assured, well-finished arabesques and pointe work and Sokolov partners her throughout sympathetically. But still that vital spark and suggestion of instant, total passion proves elusive.
For Act Three we are in the middle of a costume ball with early Renaissance headdresses for the women and houppelande gowns for the male courtiers. Enter Odile (Maria Stetc) with her sidway glances and clever use of her arms to all-but mimic Odette’s own movements. She pulls off the firework fouettés and jétés so that it’s no wonder this malleable young prince is instantly besotted.
Eather than the usual ghostly apparition at a window as Odette recognises how she has been betrayed, there follows a well thought-out pas de quatre for Odette and Odile, Siegfried and Von Rothbart in which each pair shadows the other’s steps. For the final scene, the backcloth shows a sythe of a moon, stabbing down into the water which will finally envelop the lovers and their nemesis. Again, the corps de ballet shine as the real stars of the production.
Swan Lake (with several alternative casts) can also be seen at the Grove Theatre, Dunstable on 9 October, the Key Theatre, Peterborough on 14 October, the Marina Theatre, Lowestoft on 19 October, the Harlow Playhouse on 20 Octobe and the Gordon Craig Theatre, Stevenage on 8 November.