(reviewed at the Theatre Royal, Norwich on 2 November)
You know what they say – third time lucky! That’s certainly true of the third dance drama starring award-winning and television stars Flavia Cacace and Vincent Simone. The Last Tango has a strong, deceptively simple plot and showcases a range of 1930s dances, not just the tango variations for which Cacace and Simone are renowned.
Into an attic-room crammed with discarded bits of furniture – including a piano much in need of some TLC – as well as boxes and suitcases crammed full of memorabilia crawls old George. His son and daughter call to him from below from time to time, worried for him as each item brings back memories. Teddy Kempner has the audience on his side from the beginning as he unfolds his life for us on the stage below.
We see him first as a young man (Simone) chatting up and then dating a girl he fancies (Cacace). There follows a beach party and a whole range of social encounters offering the other dancers the opportunity to display their considerable dance skills in Karen Bruce’s inventive choreography. The well-designed costumes (Vicky Gill) range from the carefree early 30s to wartime and post-war.
Cacane herself has a razor-bright sharpness to her foot work, a lithe body, gamine hairstyle and a graceful extension. Simone partners her securely and acts the part of the carefree youth changed by combat and later maturing into an acceptance of loss with conviction. Singers Rebecca Lisewski and Matthew Gent underline the passage of time under the musical direction of Steve Geere. The overture, incidentally, sounded over-amplified at the first Norwich performance.
The Last Tango runs at the Theatre Royal, Norwich until 7 November and is also at the Cliffs Pavilion, Southend between 26 and 30 January.