(reviewed at the Sir John Mills Theatre, Ipswich on 21 August)
Common Ground Theatre Company has found a rich seam to mine in 19th and early 20th century adventure novels. its take on The Prisoner of Zenda is now followed by The Count of Monte Cristo. By the end of Act One I was convinced that this was going to be simply Part One of a two-part sequence of adaptations – but I was wrong.
After the interval the rest of the novel rushes by in true picaresque fashion; it’s worth remembering that Dumas’ historical stories were designed for an adult readership and contain considerable contemporary political comment, not to say satire. Pat Whymark’s adaptation frames the whole thing with a meeting of an undergraduate Dumas appreciation club (cue running joke about mustard). She also directs and has provided yet another of her tuneful scores as well.
The five-strong cast works very hard portraying a vast number of different characters with multiple wig and jacket changes, not to say gender shifts. Lorna Garside and Alice Mottram share the major women’s roles (and several of the masculine ones as well). Charles Davies, Joseph Lear and Nicholas Underwood are the three male actors.
The Count of Monte Cristo tours East Anglia until 3 October and is Upstairs at the Gatehouse, Highgate between 24 and 27 August.