(reviewed at the Jubilee Hall, Aldeburgh on 9 August)
This new production for Suffolk Summer Theatres has been devised and directed by Mark Sterling from the Patrick Barlow tongue-in-cheek version of the John Buchan novel brought memorably to the screen by Alfred Hitchcock.
Though it may seem like a whole sequence of “based on…”, this staging does add a further dimension, with its introductory sequence from the film, multiple use of projections and some Hitcockian hommages – the music-hall is MacGuffin’s and the moorland chase has a pair of hobby-horse planes with their pilots plotting north by north-west courses.
The four main actors – Clive Flint, Joe Leat, Amy Christina Murray and Simon Stanhope – are supplemented by ASMs Kitty Dunham and Laurence Leonard who not only move the triangular pillars and furniture but join enthusiastically in the second act’s highland reel. They fully deserve their appearance at the curtain call.
Stanhope is our dashing hero Richard Hannay who, finding himself in London at a loose end, goes to the music-hall and thereby secures himself a perilously adventurous future. Murray whisks on and off a sequence of wigs and accents as the femme fatale whose appearance in Hannay’s flat triggers off the whole story, the feisty but not unflappable Pamela, the susceptible crofter’s wife and others.
“Others” sums up the multi-faceted Flint and Leat perfectly. Flint manages, with swift headgwear, coat and skirt changes, a positive galaxy of characters from Mr Memory and the crofter to railway officials, policemen, landladies and one of the duo of rain-coated, slouch-hatted, dark-glasses spies. Leat’s Professor Jordan provides a hilarious sub-Hitlerian tirade and one half of a Flanagen & Allen turn.
The 39 Steps continues at the Jubilee Hall, Aldeburgh until 13 August, transfers to the Southwold Summer Theatre between 15 and 27 August and to the Theatre Royal, Bury St Edmunds from 6 to 10 September.