reviewed at the Towngate Theatre, Basildon on 8 December
Home-grown pantomimes have the edge on commercial ones. Thy are tailored for a local audiences and the smaller theatres which house them add a special intimacy. Take Aladdin, Brad Pitt’s Christmas season show for Simon Fielding (who directs and plays Wishee Washee) at the Towngate.
It provides a couple of interesting variations on the story. Forget Abanazar – instead, we meet Aunty Banazar, a slightly ambiguous person as to gender once s/he travels to China. Sophie Ladds doubles the character with the Slave of the Ring in the prologue.
Again, this often downtrodden slave isn’t what you expect. Rather she’s a single mother with a gob full of Estuary English and, like many another woman in her situation, she has perfected the art of delegation. She never answers her mistress’ summons but send her brood of children, the Ringlets, in her place.
Marianna Neofitou’s Princess Jasmin is a bright young lady, running circles around her father the Emperor (Nigel Peever). Under Matthew Reeves’ musical direction, the songs come over very well. Sam Ebenezer makes a likeable hero, though it might have been better if the script had made him Wishee’s younger (not elder) brother.
Widow Twankey is in the safe hands of Daniel Stockton, a Dame with attitude as well as a way with the audience. Visually, the ostumes lookgood and so does the well-varied choreography of Aisling Duffy and Ebony Clarke. Dominating the dance sequences from the Cave f Wonders scene onwards is Wade Lewin’s energetic Slave of the Lamp.
Flying by Foy does the magic carpet sequences proud; even the most cynical youngster in the audience didn’t fail to have been impressed, as Aladdin’s journey took him high into the auditorium over our heads.
Four and a half-star rating.
Aladdin runs at the Towngate Theatre, Basildon until 2 January. Performance dates and times vary, so check the theatre’s website www.towngatetheatre.co.uk for availability.