Tag Archives: Sean Kingsley

Once

reviewed at the New Wolsey Theatre. Ipswich on 11 September

There are advantages to not being a film fan; one comes to the current stream of stage adaptations without preconceptions. So Once, in Edna Walsh’s version with the music and lyrics of Glen Hansard and Markéta Irglová, has to stand on its own merits.

Peter Rowe’s production at the New Wolsey Theatre is a shared one with Hornchurch’s Queen’s Theatre. Libby Watson, who often works at the Queen’s, has devised a setting which combines realism (Dublin pubs, work places and shared homes) with fantasy.

Another Queen’s regular, Mark Dymock, and projection designer Peter Hazelwood complement her setting. These characters are people partly trapped by the endless plodding of everyday existence – but who still have aspirations. And dreams.

The hero is simply called the Guy, as in Everyman. Daniel Healy makes him likeable, as he works in his father’s shop and struggles to make his way as a composer-performer with his guitar and help-hindrance from his mates.

When he encounters the Girl (Emma Lucia), a Czech national trying to balance life and responsibilities in both her own country and this new (to her) one, their attraction is mutual. She has a job in a music shop, and also composes.

So you think you know where this is all going? Wrong, very wrong. it’s a story in some way out of time, like a medieval morality play or a legend with even older, deep roots. That visual sense of fantasy in the designs is not there just to engage our eyes.

Francesca Jaynes is the choreographer, creating both Irish and Czech folk-dance inspired set pieces. Musical director Ben Goddard makes the most of the most effective numbers – the Girl’s own solos at the piano, the Dubliners’ a capella anthem, the women’s voices trio and what one might define a the Boy’s prize song.

The Girl is the quiet pivot for what happens – and might happen, later. Lucia gives her a luminous quality and a gentle stillness which is never mere inactivity. Rachel Dawson and Kate Robson-Stuart also make a lasting impression. Susannah van den Berg, Sean Kingsley and Samuel Martin also give good performances.

Four star rating.

Once continues at the New Wolsey Theatre, Ipswich until 22 September with matinées on 12, 15, 19 and 22 September. It transfers to the Queen’s Theatre, Hornchurch between 3 and 20 October with matinées on 4, 6, 11, 13 and 20 October.

 

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Filed under Music Music theatre & opera, Reviews 2018

The Sword in the Stone

(reviewed at the New Wolsey Theatre, Ipswich on 8 December 2015)

This year’s rock-n’roll Christmas show at the New Wolsey Theatre marks a theme departure by writer and director Peter Rowe. He’s based it on the TH White version of the Arthurian legends The Sword in the Stone which describes how a young foundling developed into King Arthur, with considerable help and tutelage by the wizard Merlin.

We meet the shy, amenable Sprout (a thoroughly engaging Sandy Grigelis) as he comes through boyhood at the castle of Sir Cedric Scuttlebutt (Daniel Carter-hope) and is bullied by Sir Cedric’s clod of a son Kay (Rob Falconer). What’s left of post-Roman Britain is being constantly invaded by barbarian hordes while the seven kingdoms into which it has fractured feud as much within themselves as against what should be a common enemy.

Sir Cedric is in charge of martial training. For the romantic side of chivalry he has engaged Bernadette Broadbottom (a masculine sort of Dam as played by Graham Kent). Also in the household is Guinevere (Lucy Wells), a young lady who takes to action as enthusiastically as to learning how to be an object of courtly desire. Magic is taught by Merlin (Sean Kingsley), whose special concern is for the Sprout, though Guinevere proves herslef to be an apt pupil.

Then there’s fellow magician Morgana Le Fay (Georgina White), gleaming in purple,wielding a magic staff to equal Merlin’s and as ambitious for her thoroughly unpleasant son Mordred (Steve Simmonds) as Sir Cedric is for his. It is the series of combats both mental and physical between these two which really hold the story together.

If you’ve been to an Ipswich pantomime before, you’ll know that the cast play all the instruments – mainly brass and amplified guitars – as well as acting and singing. The noise level is high, only slightly softening for Grigelis’ first act song and the second act duet with Wells. There were many moments when my ears ached for something quieter, and without the double amplification of throat and hand-held mikes.

As is now the custom with pantomimes, one audience member was picked on as the main butt of Kent’ attentions; a second one targeted by Falconer proved less amenable – and who could blame her? This is a gimmick which really should be moth-balled. The excellent set (much use of grave traps) is by Barney George. The dragon guarding the stolen Excalibur is very well done and the animal puppets peeping out from time to time in wood and castle are a delight. The choreography is by Darragh O’Leary.

The Sword in the Stone runs at the New Wolsey Theatre, Ipswich until 30 January.

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Filed under Pantomimes & seasonal shows, Reviews 2015