(reviewed at the Arts Theatre, Cambridge on 13 June)
Patrick Marber’s play title could be read in two ways. It’s a version of Strindberg’s Miss Julie with the location and period changed to England just after the Second World War. So, in the sense that’s it’s a variation on a theme, it is indeed “after”. It is also “after” in the sense that we learn more about the possible future for the two characters other than the titular one than the original allows.
Marber is well served by his designer (Colin Richmond), choreographer (Alastair Marriott) and sound designers (Max and Ben Ringham). We are in the white-tiled basement kitchen of a large country house. The realm above is indicated by an upper stage on which we can see Miss Julie (Helen George) and her father’s chauffeur-cum-valet John (Richard Flood) dancing and from which later the estate workers’ celebration of Labour’s election victory takes on something of the peasant warning rumbles of the 1789 French revolution.
The kitchen is also the domain of Christine (Amy Cudden) who one senses is almost the last of the prewar house staff. In Marber’s script and Anthony Banks’ production, Christine becomes a much more important character and Cudden gives full weight and rounded representation this approach demands. Flood is also impressive as a young man who has built on his wartime service experiences as well as what he has picked up during his work for the landowner. Banked fires always threatening to break through.
But any production, any version of Miss Julie stands or falls by Julie herself. George is magnificent in the role, a spoilt child twisting into an equally spoilt but fr more dangerous womanhood, knowing too much of her own mind and body but without even a glimmer of the maturity – let alone morality – which should underpin it. George uses her eyes to fine effect; we are drawn into her world by their gaze as though led by some mythical enchantress. Spells can be broken, but they can break their victims just as surely as their perpetrators.
After Miss Julie runs at the Arts Theatre, Cambridge until 18 June with mainées on 16 and 18 June.