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Carmen

(reviewed at the Harlow Playhouse on 9 September)

The Russian State Opera & Ballet Theatre of Komi has a new production of Bizet’s ever-popular Carmen for its autumn UK tour. Artistic director Ilya Mozhaysky sets the action around the 1920s and offers us a kind of danced dumb-show during the second half of the overture, prefiguring the menace and violence associated with its recurrent “death theme”.

Yuri Samodurov’s painted back-drops and flats have a nightmare surreal quality eachoing this. Act One is mainly whte-clad, from the soldiers’ uniforms to the shifts worn by the girls of the cigarette factory. Only Carmen herself flaunts a scarlet shawl. For the second act (Lillas Pastia’s louche tavern) red wih black accents prdominates. Black and a shrouding grey underlines the encounters in the mountain pass while the final scene flames scarlet with coal black.

The dancing is exellent (no choreographer is credited in the programme) and there is lively interplay among the chorus members in the crowd scenes. Of the principals, Evgenia Gudkova is a sultry Carmen with a strong chest register and secure top notes. Dimitrii Demidchik is a somewhat unsubtle (and therefore unsympathetic) Don José who hits all the right notes but with little sense of shading.

Michaela in Olga Georgieva’s interpretation is a far cry from the blonde-plaitd milkshop of many roductions. Yes, she’s naïve, a village girl out of her comfort zone in both Seville and the bandit-affected mountain pass. But Georgieva offers us the steel backbone which allows her to negotiate these perils and fulfil her mission each time.

As Frasquita and Mercédès, Anastasia Podzigun and Elena Lodigina make the most of the card trio in the penultimate scene. Nikolay Efremov is a somewhat under-powered Escamillo; the smaller male rôles are well diferentiated. There are always production teething troubles at the start of a tour, but Nelli Svatova’s lighting design left too many faces in shadow when singing downstage. The necessary surtitles need proof-reading.

Carmen is at the Gordon Craig Theatre, Stevenage on 10 September, the Princes Theatre, Clacton on 11 September and The Cresset, Peterborough on 13 September. Other tour dates include the Alban Arena, St Albans on 5 October, the Towngate Theatre, Basildon on 6 October and the Watford Colossem on 8 October.

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Filed under Music & music theatre, Opera, Reviews 2016