Tag Archives: Peter Pan

Peter Pan

reviewed at the Mercury Theatre, Colchester on 2 August

JM Barrie’s play is most often seen nowadays in a Christmas pantomime version, complete with Dame. I suspect that’s what many in the audience were expecting, especially the very youngest children. What we saw is a tactful adaptation of the script by Daniel Buckroyd and Matthew Cullum (who also co-direct) with an original score by Richard Reeday.

The settings of Simon Kenny invite you to let your imaginations work – and roam. They’re deceptively simple with items manoeuvred into place by the cast of eight or swirls furling across the stage as locations shift. There’s a clever crocodile, a bath-boat and well-sustained lifts and movement for the flying sequences.

Emilio Iannucci’s Peter has the right blend of juvenile two-dimensional attitudes, athleticism and a dangerous touch of feral quality. Charlotte Mafham as Wendy shows us the inherent motherly qualities of the teenage daughter with only younger brothers; you can see why the children invading the stage at the end of the play gravitated towards her.

Mischievous, jealous Tinker Bell, in Alicia McKenzie’s portrait, makes a good contrast with Sara Lessore’s self-controlled Tiger Lily. Pete Ashmore doubles paterfamilias Mr Darling and Captain Hook (definitely no Eton alumnus) with Katharine Moraz as his wife and pirate Smee. James Peake is a properly exuberant Nana and lost-boy Slightly.

Some of the music is pre-recorded but the cast play various instruments, including Peake with a tuba, a piano and a variety of strings and woodwind. The evocative lighting is by Mark Dymock with sound design by Christopher Bogg.

Four star rating.

Peter Pan runs with an early evening start time at the Mercury Theatre, Colchester until 26 August with matinées on 3, 5, 6, 9, 10, 12, 13, 16, 17, 19, 20, 23, 25 and 26 August.

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Filed under Family & children's shows, Reviews 2017

Peter Pan

(reviewed at the Gordon Craig Theatre, Steveange on 16 December).

The trouble with staging JM Barrie’s classic children’s story at Chrstmastime can be that it either tips too far into established pantomime territory, or lacks any seasonal feeling. Chris Jordan’s version, new to East Anglia, manages to tread the tightrope with a flourish. There’s a nice London street opening, with a a medley of music-hall songs and dances, led by Paul Laidlaw who we meet again later as Mrs Smee. This also serves to introduce the Darling family with the household head (Tom Lister) displaying the arrogance which will also colour his Captain Hook.

Settings are simple but effective with attractive costumes by Shelley Claridge and very well lit by Douglas Morgan. The band – tucked away stage left in a sort of theatre-box – is led by James Cleeve. The put-upon Mrs Darling is played by Sinead Long, who later transforms into the Mermaid. That bolshie fairy Tinker Bell whirls across the stage on roller-skates; Amanda Coutts balances her resentment of Wendy credibly with her affection for Peter.

Ewan Goddard depicts him as a youth with a sense of right and wrong but no real feelings of the sort which might drag him into the human world. He and Lister play off each other cleverly, with Laura Baldwin’s Wendy nicely suggesting a girl who has to take on rather more adult responsibilities than she had bargained for. Choreographers Twist & Pulse (aka Ashley Glazebrook and Glen Muphy) contribute a pair of less than competent members of Hook’s crew. With Aidan O’Neill’s Smee they lead the comedy scenes.

Laidlaw is an audience favourite at this theatre and knows just how far he can go with the involvement of the unsuspecting man selected for Mrs Smee’s amorous attention. The crocodile is a wondrous creation, and the submerged glitter pool from which the mermaid emerges in the second act is another effective touch. The four adult members of the ensemble and the juvenile performers carry off their routines with aplomb.

Peter Pan runs at the Gordon Craig Theatre, Stevenage until 22 January. Check the theatre’s website ((gordon-craig.co.uk) for performances times.

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Filed under Family & children's shows, Pantomimes & other seasonal shows, Reviews 2016

Two new arts festivals

East Anglia at times seems to be bubbling over with arts festivals. No sooner as Pulse subsided in Ipswich than along comes Lights Up! at the Mercury Theatre, Colchester between 17 June and 12 July.

This is designed to showcase new and developed work from drama and other students as well as some of the town’s established amateur companies.Come Fly With Us opens proceedings from 17 to 20 June and is succeeded on 25 and 26 June by Christine: The Musical, Tony Franchi and Marion Wells’ take on Christine Keeler’s story; this was successfully premièred by CTM Productions a couple of years ago at Headlong Theatre.

A mixture of poetry, choral singing and instrumental music presented by the Colchester branch of the Royal British Legion pays tribute to the dead of the First World War on 27 June – Emortuus – The Fallen. The next day a cast of over 70 children and teenagers from the Theatrical Performing Arts School offer Peter Pan in the musical version by Jimmy Jewell and Nick Stimson.

21 years of the Lorraine George School of Dancing & Performing Arts is celebrated between 3 and 5 July with Summer Showtime ’15. A Mercury Studio success from last year, Stage Write’s Living With Luke, is a powerful study of a father trying to cope with an autistic son; catch it on 8 July. 9 July offers an evening of contemporary folk and blues from Laburnum Bridge with Ramon Goose and Adrian Nation.

Senior students from Theatre Fun Academy perform the new musical Milenka on 11 July. It follows the adventures of two young friends with a travelling theatre and some not-quite-ordinary marionettes. The appropriately titled End of Year Show from Stagecoach Chelmsford brings Lights Up! to a close on 12 July. Ticket prices range from £10 to £15, with concessionary discounts available.

Imagine Watford and Watford Live have, up to now, been separate celebrations for the twon. Now they have combined as The Big Festival, which runs between 20 June and 5 July. It will mix Watford Live’s promotion of local people’s artistic talent (everything from guerilla knitting – no, I haven’t come across this before either – to live music) with Imagine Watford’s kaleidoscope of international street theatre.

The Watford Colosseum is presenting Listen from 2 to 4 July. This involves music machines, sound installations and some rather surprising performances. The public are invited to play and roam as well as listen; it’s the brain-child of Graeme Leak. Care {20-21, 23-28 June) from Tangled Feet is the first of Imagine Watford’s presentations; The Strange Travel of Senyor Tonet follows (25-30 June).

Look our also for the Watford Society circus workshop on 27 June, Circus Raj and Lucas Jet Circus – both on 2 July, the aerial crane piece K@osmos by Puja! on 2 July, Citizen Squid from Puppets With Guts (3 July) and The Monotone Man (3 and 4 July), a Human Zoo Company creation. The outdoor performances are held on The Parade and the vast majority are free to watch and enjoy.

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Filed under Reviews 2015