reviewed at the Civic Theatre, Chelmsford on 2 December
One From The Heart has been the Civic Theatre’s pantomime partner for a number of years and always produces a traditional show. This year it’s the Grimm story of Snow White with the dwarfs who come to her aid in the forest played by extremely well-rehearsed members of the juvenile chorus.
Where Simon Aylin’s script and Kerris Peeling’s direction diverge from the usual story is by making the Man in the Mirror a major character. Louie Westwood plays him as a subtly camp pop-star, all silver lamé and high kicks, who has been enslaved by Queen Grizelda (Jenny-Ann Topham), a ferocious Brünnhilde-type swathed in black and crimson and topped with a bull-horned headdress.
Abigail Carter Simpson is a likeable heroine who deserves her prince (Dominic Sibanda), though she is a better singer than dancer. Comedy is in the hands of Andrew Fettes as Nurse Nelly – a Dame of the old school – and Dickie Wood as Muddles – an instant audience favourite. Chris Whittaker’s choreography is enjoyable to watch as performed by the eight ensemble chorus.
No designer is directly credited, but the settings are pleasantly fairy-tale bookish and the costumes, especially for the predominantly muted crimson and gold walk-down, look well. James Doughty is the musical director with the numbers arranged by Ben Kennedy.
Three and a half-star rating.
Snow White and the Seven Dwarfs runs at the Civic Theatre, Chelmsford until 7 January. Performance dates and times vary; check the theatre website www.chelmsford.gov.uk/theatres for availability.
(reviewed at the Civic Theatre, Chelmsford on 3 December)
It’s billed as “a giant of a pantomime” and this One From The Heart production measures up to that description. Simon Aylin’s script falls tidily on the ear and Kerris Peeling’s direction keeps the action fast moving. Damian Czarnecki’s choreography gives excellent opportunities to both the ensemble (from Laine Theatre Arts) and the local juvenile dancers.
Costumes are bright and the fary-tale book sets have the right suggestion of not-quite real. Ben Ellis Strathie makes a dashing Jack with David McKechnie’s Fleshcreep as a worthy opponent, eminently hissable. Neil Bromley’s Dame Trott is in the traditional mould, trying (and failing) to keep both Jack and his brother Silly Billy (Samuel Parker) under her thumb. Both quickly establish an excellent rapport with the audience,
Daisy the cow knows how to dance (has she perhaps been watching the Lipizzaners of the Spanish Riding School?) and uses her doe eyes and long, long lashes to good effect. Gabriela Gregorian is Jill, a princess who knows her own mind – not necessarily following her father (Stephen McGlynn)’s instructions. Trying the lead the forces of good is Katie Brennan as Fairy Nuff, not the brighest student at fairy school, but willing to persevere.
Jack and the Beanstalk runs at the Civic Theatre, Chelmsford until 2 January. Check the website (chelmsford.gov.uk/theatres) for performance times.
(reviewed at the Civic Theatre, Chelmsford on 5 December 2015)
One From The Heart is again the producer, in association with Chelmsford City Theatre, of this year’s pantomime. It’s the ever-popular Aladdin with Liam Ross-Mills in the title role. His somewhat naïve quest for the riches which will enable him to obtain the hand of the Princess Jasmine (Gabriela Gregorian) is, of course, triggered by his encounter with Shaun Chambers’ Abanazar.
Last year’s Peter Pan is this year’s Wishee Washee – Samuel Parker. He establishes an instant rapport with the children in the audience, abetted by Tim McArthur’s Widow Twankey. Then there’s David Tarkenter as the Emperor, all bombast and fluster as he seeks to find a wealthy prince to wed his feisty daughter and restore his crumbling finances.
The immortals are Millie O’Connell as a no-nonsense Slave of the Ring and Neal Wright, a commanding presence with a voice to match, as the Genie of the Lamp. Damian Czarnecki’s choreography is bright and puts the ensemble and juvenile dancers and those youngsters playing Abanazar’s minions through their energetic paces.
In Act One, the slop scene in the laundry has acquired a couple of novel twists (and slips) while Aladdin’s magic carpet journey to Abanazar’s lair elicits a proper response of gasps as he swoops over the stage and orchestra pit. Tim Curran is the musical director; Simon Aylin both wrote the script and directed it.
Aladdin runs at the Civic Theatre, Chelmsford until 3 January.