Red herrings in thrillers are one thing. Shaun McKenna’s latest stage adaptation of a Peter James thriller not only trails a shoal of thm acoss Sussex’s beaches but adds a whole corkscrew drawer-full of twists and turns to the plot as DS Roy Grace finds that past and present somehow elide in the latest series of murders to land on his desk.
Michael Holt’s two-level set with some atmospheric lighting by Jason Taylor and sound effects by Martin Hodgson take us from the mortury to the police station and across to nocturnal surf-battered pebbled beaches. Ian Talbot contributes what one might define as speed-directing; it’s all so fast and furious that plot and characterisation holes are simply skated over.
There are some very good performances, notably by Laura Whitmore as Cleo, in charge of the mortuary and Grace’s latest “squeeze” and by Gemma Atkins as her vulnerable assistant Sophie. Central to the action is Brian Bishop, whose wife is just one of the victims of violent death to be laid on Sophie’s mortuary table. Stephen Billington gives a deliberately “over the top” performance of this tortured personality; you can see why he provokes Bill Ward’s Grace so much.
In the police station, Grace is supported by his segeant Glenn (Michael Quartey) and PC Moy (Gemma Stroyan). At the end of the telephone is a censorious assistant chief police constable who takes a dim view of Grace’s detecting methods. Dead bodies and the nasty ways in which they meet their fates proliferate. It’s all hokum, of course, but very well presented by a cast which takes it all with just the right touch of knowing conviction.
Three and a half-star rating.
Not Dead Enough runs at the Arts Theatre, Cambridge until 20 May with matinées on 18 and 20 May.