Tag Archives: Northcott Theatre Exeter

People, Places & Things

reviewed at the Cambridge Arts Theatre on 21 November

The concept of a box set takes on a new definition in this collaborative project from Headlong, the National Theatre, Manchester’s HOME and Exeter’s Northcott Theatre. The proscenium arch is framed with a white rectangle, like the lip of a box. Like any such container, it can hold a variety of things.

Duncan Macmillan’s play is a no-holds-barred almost clinically forensic examination of addiction and some of the therapies which seek to address the multitude of forms which it takes. The central character is an actress called Sarah (stage name Emma), given a magnificent three-dimensional portrait by Lisa Dwyer Hogg.

She’s onstage and at the centre of the action throughout as we watch her descent into a hell of her own making and her struggles to clamber out of it. Emma/Sarah is not a sympathetic person and Dwyer Hogg’s achievement lies partly in the way in which she makes this plain.

Directors Jeremy Herrin and Holly Race Roughan surround her with a shoal of would-be helpers, some of whom – like her parents – are completely out of their depth. Matilda Ziegler plays the doctor, therapist and mother showing that even tough love may not be enough to break the cycle.

Ekow Quartey is the nurse who has seen it all before many times, but retains his humanity and desire to help. There’s an interesting double of alcoholic Paul and Sarah’s father by Trevor Fox.  Mark draws another rounded portrait of an addict who has learned to accept his weaknesses and so guards against them from Andrew Sheridan.

That white set is by Bunny Christie, lit by James Farncombe and pierced by the soundscapes of Tom Gibbons and Matthew Herbert. I suppose that these days most of us know someone who appears to be about to if not actually tripped into the addiction spectrum. That makes this drama hard-hitting; it remains a gripping piece of theatre on any level.

Four and a half-star rating.

People, Places & Things runs at the Cambridge Arts Theatre until 25 November with matinées on 23 and 25 November.

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The Railway Childen

reviewed at the Theatre Royal, Norwich on 31 July

How do you stage a family classic novel by E Nesbit which has already been filmed both for television and cinema many times? Particularly when the show on question is a touring one and the story involves trains and railway tunnels – not to mention London and remote country locations.

If you’re Paul Jepson, Exeter’s Northcott Theatre director, you call in a designer who knows how to combine realistic stage settings with clever projections – Timothy Bird in this instance – and let Dave Simpson’s script find its own space in this turn of the 19th into 20th century story.

It works excellently, thanks to some strong performances delivered with just the right sort of conviction to make 21st century children and teenagers accept the manners and conventions of more than 100 years ago.

Millie’s Turner as Roberta (known as Bobbie) and Joy Brook as her mother, coping with her husband’s mysterious arrest, a total loss of London-based income and the necessity of living as cheaply and low-profile as possible in the countryside, are both thoroughly credible, as is Katherine Carlton has sister Phyllis. Turner is particularly good as showing a teenager on the cusp of womanhood and learning to cope with unexpected responsibilities.

As the old gentleman who acts as a kind of deus ex machina to the family, Neil Savage gives an object lesson in how to make every line tell, with the aid of miking. Younger actors, please take note. Stewart Wright as station-master Perks, Will Richards and Andrew Joshi give stalwart support. The backdrops are well-lit by Dominic Jeffrey and the train and tunnel sequences make their own applause-worthy impact.

Four and a half-star rating.

The Railway Children runs at the Theatre Royal, Norwich until 5 August with matinées on 2 and 5 August. it can also be seen at the Derngate Theatre, Northampton between 19 and 24 September.

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Filed under Plays, Reviews 2017