(reviewed at the New Wolsey Theatre, Ipswich on 28 May)
Modern circus training enthuses its practitioners with more than acrobatic skills; it leads to new forms of theatre, integrating dance into the mix. Take Bromance, which opened this year’s Pulse Festival in Ipswich presented by the Barely Methodical Troupe under tha auspices of Crying Out Loud and Circus Evolution.
The three performers are Charlie Wheeller, who earns justified plaudits for his routines with the Cyr Wheel, shyly comic Beren D’Amico and the exceptionally tall Louis Gift, who radiates something of the menace of Frankenstein’s monster creation – you’re never quite sure how he will react to what he other two are weaving around him.
Two’s company, three’s none goes the saying. There’s an element of this built in as a disjointed, voice-synthesised soundtrack accompanies the three men’s initial groupings. This then gives way to a solo piano, by which time we are watching something approaching dance; in turn this gives way to the sequence of displays of full acrobatic skills.
It’s engaging and draws its audience very subtly into an appreciation of what is going on. There’s a bk story, if you want to dig for it, concerning male bonding and the competitiveness which seems to be inherent in it. The show is playful and promulgates its lesson – if indeed there is one – as lightly as possible. Eddie Kay is the director.
Pulse runs at various Ipswich venues until 6 June.