(reviewed at the Cliffs Pavilion, Southend on 9 August)
This latest Bill Kenwright and Bob Tomson musical is a starring vehicle for Tommy Steele as much as for its titular hero. Designer Mark Bailey offers us an aircraft-hanger set, with a flexibility to keep the scene sequences moving smoothly, and some simple but attractive and apposite costumes, especially for the six members of the singing an dancing chorus.
It begins with the hanger doors opening to reveal Steele (cue the first of the evening’s burst of audience applause). If the show had continued with him as a narrator/commentator and a younger actor taking the part of Miller, Steele’s age and appearance would not have required such an immediate suspension of belief. It also would obviate that slight feeling of discomfort with the early scenes with Abigail Jaye as Helen.
Jaye has a good voice, strong as well as lyrical as she demonstrates in “Moonlight serenade” and “At last”. Ashley Knight makes an engaging no-nonsense Chummy MacGregor. The chorus – Zoe Nicole Adkin, Michael Anthony, Sibhan Diffin, Jessica Ellen, Jordan Oliver and Alex Tranter – perform Bill Deamer’s 40s-based choreography with great style.
The musical director is Richard Morris with an 11-piece ensemble joined on occasin by Robert Pearce (who plays Colonel Chambers), Mike Lloyd (Cy Shribman), Chris Bone (who is also the film director) and Harry Myers (who plays Mark Minton). Steele’s personality carries him through the show, though he is vocally subdued until the finale encores, where he really comes to life basically being Tommy Steele and not the shadow of Glenn Miller.
The Glenn Miller Story runs at the Cliffs Pavilion, Southend until 13 August.