Tag Archives: Matt Jopling

Stoat Hall

(reviewed at the SirJohn Mills Theatre, Ipswich on 9 December)

Eastern Angles’ Christmas show is a Pat Whymark and Julian Harries confection, which means that it’s literate, tuneful and lethally clever – at times a little too much so for its own good. There’s a lot of cod as well as real Shakespeare and a whole series of riffs to do with Richard III and Henry VIII, not to mention tranches of East Anglian as well as national history, legend, might-have-beens and architecture.

That all means that I thoroughly enjoyed Stoat Hall, but perhaps partly because it tweaked some of my own interests. There’s an extremely hard-working cast of five, switching stage gender as adroitly as role, costume and set accessories. At the centre of the imbroglio is poor Sir Roger (Richard Mainwaring) who has the misfortune to have close blood ties to both the last Plantagent and the second Tudor kings.

Not to mention a crone of a grand-mother Agnes (Violet Patton-Ryder), a wilful wife and a daughter who takes after her (Geri Allen in both roles), a love-sick jester Perch (Matt Jopling) and a sinister in-house alchemist John Dee (Patrick Neyman, who also plays the second, stroppily butch daughter Hedwig). When Henry arrives on a wife-hunting mission, things start going even more wrong.

The music is suitably 16th century pastiche; the cast provide the instrumental accompaniments. Designer Richard Evans works his own particular magic with a very small acting area, ornamented by a whole series of pop-up and pop-out puppets. Not to mention an interesting variation on an autopsy. Don’t worry, no animals (two- or four-legged) were hurt during the procedure.

Stoat Hall runs at the Sir John Mills Theatre, Ipswich until 7 January. It then plays at the Seckford Theatre, Woodbridge between 10 and 21 January and at the Key Theatre Studio, Peterborough from 24 to 28 January. Check the theatre’s website (easternangles.co.uk) for performance times.

Leave a Comment

Filed under Pantomimes & other seasonal shows, Reviews 2016

What the Ladybird Heard

(reviewed at the Norwich Playhouse on 24 November)

Julia Donaldson’s children’s stories are now established favourites on the stage as well as in print. Lydia Monks is the illustrator for What the Ladybird Heard and has been involved in Bek Palmer’s designs for the tour which is now in its second year. Graham Hubbard is the director and the catchy, folk idiom tunes are by Jon Fiber and Andy Shaw – of the aptly named Jollygoodtunes.

The audience comes into the auditorium to be faced with a toytown farm set – thatched farmhouse, cowshed, various outbuildings and a pond in front of a gate leading to the hilly landscape beyond. Emma Carroll is our storyteller and farmgirl Lily, introducing us to the characters with her Pied Piper-like flute.

Rosamund Hine makes a credible Farmer with Edward Way as farmhand Eddie and Matt Jopling as the slightly dim Raymond. Way and Jopling also play the burglars Hefty Hugh and Lanky Len whose attempt to steal the prize-winning cow is foiled by the ladybird of the title, a bright red spotted light which materialises at various places.

The cow and two cream-loving cats are conventional puppets, though the various farmyard animals are brought to life through an ingenious amalgamation of implements – the sheep is a fleece draped over a wheelbarrow, the horse is a bicycle and rake, the dog is a broom and so on. Very imaginative and I suspect that parents are likely to find domestic objects put to strange uses when the children return home.

What the Ladybird Heard runs at the Norwich Playhouse until 4 December.

Leave a Comment

Filed under Family & children's shows, Reviews 2015