Tag Archives: Martin Berry

Jack and the Beanstalk

reviewed at the Queen’s Theatre, Hornchurch on 1 December

Writer Andrew Pollard and director Martin Berry, abetted by designer Richard Foxton, have worked one of the now-fashionable variations into this year’s pantomime. For most of the action, the setting is the somewhat run-down funfair operated by Frank Furter (Richard Emerson).

He’s a loud-mouthed, tartan-suited leftover from the glory days of rock’n’roll. His daughter Jill (Elizabeth Rowe) has just returned from “finishing school” – and is fly enough to know a financial sinking ship when it passes under her nose. Still clinging on (just) is ice-cream vendor Dotty Trott (John Barr).

Her amiable but not very bright or co-ordinated son Jack (James William-Pattison) has made a pet of their one remaining cow Pat (Claire Greenway). Their main trouble is that Pat refuses to be milked by either Trott. Then there’s the thoroughly nasty Hurricane (Taylor Rettke) who blows in demanding rent arrears.

A well-established Hornchurch tradition is to use actors who are also accomplished instrumentalists. Hollie Cassie is the on-stage musical director and also plays Fortuna, trapped in her booth until Jack’s innate kindness releases her. The second half takes everyone to Cloudland, reigned over by Celia Cruwys-Finnigan and Sheldon Greenland.

The latter is also the giant Big Dipper in an effective combination of monster puppet and actor. Barr is an experienced Dame, taking a wig malfunction in his-her stride. There are enough of the traditional gags, including a slop scene and the bench routine, to keep the story grounded in pantomime convention.

Three and a half-star rating.

Jack and the Beanstalk runs at the Queen’s Theatre, Hornchurch until 6 January. Performance dates and times vary, check the box office: 01708 443 333 or www.queens-theatre.co.uk for details.

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Filed under Family & children's shows, Pamtomimes & other seasonal shows

Cinderella

(reviewed at the Queen’s Theatre, Hornchurch on 5 December)

 

This is probably the favourite pantomime story, which raises high empectations in its audiences. The magic trick is to blend the familiar, much-loved rags-to-riches story with enough variations to spice it up while never smothering its essence. Andrew Pollard’s script in Martin Berry’s production manages to achieve just that balance.

The Queen’s Theatre tradition of using actor-musicians comes into its own – Natasha Lewis’ Cinderella must be the only trombone-playing one  in this year’s national crop. Jonathan Charles’ Dandini is a wandering fiddle-player, taken on by Jamie Noar’s Prince Charming, desperately trying to disentangle himself from his father’s plans for his future.

No Baron Hardup in this version. Rather, we have his spiteful widow (Georgina Field) keeping her two chip-off-the-matriachal-block daughters Miley (Simon Pontin) and Kylie (Carl Patrick) very much under her sharp-nailed thumb. No wonder the household is reduced to a single servant, Buttons (Alex Tomkins), who only stays because of Cinderella.

Mark Walters has designed a deceptively sumptuous set and costumes in a vaguely late 18th century style. Joshua Good man is the hard-working musical director, joined in the pit by Al Twist and Sarah Workman, and the on-stage cast. Field has a commanding way with a saxaphone, even when Liz Marsh’s choeography keeps her feet fully employed.

That all-important wow! factor comes also from Etisyai Philip’s Fairy Godmother, who manipulates the whole story, including Cinderella’s swan-drawn carriage as she leaves for the ball. Sherry Coenen’s lighting adds to the magical impression. Highlights include a well-handled rejection scene for Buttons and Cinderella, to which both of them bring the right degree of sincerity.

Well-loved gag scenes also make their appearnace, including the endless stocking and false foot in the slipper trying-on episode, Cinderella being made totear up her coveted invitation to the ball (by her step-mother, rather than step-sisters here) and locking her in a chest (even less comfortable than the usual cellar) in the attempt to hide her from her questing prince.

Cinderella runs at the Queen’s Theatre, Hornchurch until 14 January. Check the theatre’s website (queens-theatre.co.uk) for performance times.

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Filed under Pantomimes & other seasonal shows, Reviews 2016