Tag Archives: Lyndie Wright

Wise Children

reviewed at the Cambridge Arts Theatre on 20 November

Emma Rice’s new company, named for this launch production, has something of the quirkiness which one associates with her previous nest at Kneehigh. It’s a bold, multi-disciplined stage adaptation of Wise Children, Angela Carter’s last novel, and has a suitably exploited show-business background.

The kernel of the story centres on twin sisters, Dora and Nora. They are possibly the fruit of a one-night stand by actor-manager Melchior Hazard  (himself a scion of a sequence of such theatrical demigods) and a music-hall artiste. From the beginning we are made aware of the geographical and genre hierarchy of early 20th century entertainment.

Rice’s production uses Lyndie Wright’s puppets to represent these infant daughters, and later their putative cousins who may have been fathered by Melchior’s brother Peregrine. Adult Dora and Nora act as a species of chorus as the story unravels, played engagingly by Gareth Snook and Etta Murfitt.

As sub-teenagers, brought up by their grandmother Chance (Katy Owen), they are played by Bettrys Jones and Mirabelle Gremaud and later – in their stunning showgirl manifestation by Melissa James and Omari Douglas. Murfitt’s choreography fits the mood and period before us in perfect harmony with musical director Ian Ross’ pot-pourri score.

The younger Melchior is played by Ankur Bahl, who ages into Paul Hunter. Young Peregrine is Sam Archer, maturing (?) into Mike Shepherd. Patrycja Kujawska is Lady Atalanta, Melchior’s well-heeled, well-connected bride of his later years. The on-stage band is supplemented by the actors’ own instrumental as well as vocal contributions.

Yes, if you haven’t read the book, it does at first seem very complicated – a succession of music-hall sketches. Then the sheer theatricality of the presentation, like a succession of finely-executed transformation scenes draws us into its own slightly off-kilter world. Vicki Mortimer’s set and Malcolm Rippeth’s lighting aid the journey enormously.

Theatre – whether minimal or elaborate, bare boards and scarce a fistful of actors or backed by a lavish budget and a cast of thousands – is designed to draw us into another world. That can be realistically represented or symbolically suggested. In the end, it doesn’t really matter. What does is its effect.

Wise Children (the company) has given itself something to live up to. That should be fun to watch.

Four and a half star rating.

Wise Children runs at the Cambridge Arts Theatre until 24 November with matinées on 22 and 24 November.

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Filed under Ballet and dance, Music Music theatre & opera, Plays, Reviews 2018

The Paper Dolls

(reviewed at the New Wolsey Studio, Ipswich on 9 December 2015)

This show for very young children is based on the book by Julia Donaldson illustrated by Rebecca Cobb. Adaptation and direction are by Peter Glanville with puppet and set design by Lyndie Wright. It’s a presentation by the Little Angel Theatre and Polka Theatre – both well-known for the excellence of their productions for a juvenile audience.

The presenters are Jane Crawshaw and Samantha Sutherland, both of whom know when to let the puppets tell the story and when to step forward to let the audience into a secret. The Rosie puppet is almost blank-faced, so those familiar with the book can place their own interpretations on our heroine.

As in all good stories, likeable Rosie has a very horrid brother, all macho aggressiveness and much given to destroying anything which his sister might enjoy. Their mother tries to keep the peace (all parents will recognise the tantrums), as Rosie’s family of cut-out paper dolls (Wright has designed several sizes of these) have their adventures.

These involve trying to evade the jaws first of a toy dinosaur, then of an oven-glove crocodile and finally of a tiger. A very hungry tiger which just happens to resemble Rosie’s slippers. There is also a flower garden (cue brother’s lethal scissors) with birds and a ladybird in residence.

It makes a good introduction to the theatre for its intended audience and has enough clever design elements to keep the adults interested. Donaldson is probably the country’s uncrowned queen of fiction for this age group but Rosie’s story glides off the page and onto the stage effortlessly.

The Paper Dolls is at the New Wolsey Studio, Ipswich until 2 January.

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Filed under Family & children's shows, Reviews 2015