Tag Archives: Lloyd Gorman

The Jungle Book

reviewed at the Cambridge Arts Theatre on 20 March

Stories, whether set in the past or in fantasy setting, inevitably reflect the culture in which they are written. Kipling nowadays is seen as the laureate of the Raj, a view which (while perfectly legitimate from a 2018 perspective) can overshadow his real and deep understanding of India, both social and natural.

We’ve become accustomed therefore to prettied-up, emasculated versions of the Jungle Book stories. The Children’s Touring Partnership’s new production is certainly of our time and place, but – for me, at any rate – it captures most of the essence of the original.

This is a musical version, scripted by Jessica Swale with an original score by Joe Stilgoe. Max Webster’s direction sets his cast on a revolve with a scaffolding set by Peter McKintosh (who also designed the costumes) and choreography by Lizzi Gee which exploits both the pack and the solo nature of wild animals.

A succession of puppets by Nick Barnes ranges from the simplicity of those representing the child Mowgli  and the kite Chil to the glistening coils (lots of them) of the python Kaa (Rachel Dawson). Central to the story is Mowgli, feral in more than one way, who Keziah Joseph fully brings to life (and our sympathetic understanding).

Lloyd Gorman’s Shere Khan is a commanding villain with the height and presence to command his scenes as well as the jungle denizens; he also has a very good singing voice. His opposite number is Dyfrig Morris’ Balloo, a sloth bear with just a touch of Paddington and Winnie the Pooh – not to mention the pantomime comic.

As the wolf-pack leader Akela, Tripti Tripuraneni radiates the right sort of authority as in the different way does Deborah Oyelade’s Bagheera with a panther-like disregard for slower creatures. Most of the cast take on other roles, including the dangerously mischievous Bandar-Log tribe of monkeys.

Costumes, movements and Charles Balfour’s lighting remind us that we are in an Indian jungle butting onto human villages, villages whose relations with the water-holes and vegetation around them both nurture and threaten. It’s probably not a show for very young children, but it is one to provoke thought.

After all, that’s what story-telling has been doing for millenia.

Four and a half-star rating.

The Jungle Book continues at the Cambridge Arts Theatre until 24 March with matinées on 22 and 24 March. The tour also includes the Theatre Royal, Norwich between 10 and 14 April.

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Filed under Family & children's shows, Music Music theatre & opera, Reviews 2018

Worst Wedding Ever
reviewed in Ipswich on 2 March

Weddings last for a few hours, usually involve a great many people and can cost a great deal more than a brand-new car. Marriages are something different, a compact of commitment between two indivduals. The drama of a wedding is a cumulative effect. The drama of a marriage is much more slow-burning.

Originally premiered at the Salisbury Playhouse three years ago, Chris Chibnall’s Worst Wedding Ever has been updated and is now given in a new production by Gareth Machin, the first fruit of a new partnership between the Playhouse, Ipswich’s New Wolsey Theatre and the Queen’s Theatre in Hornchurch. Rachel and Scott know what they want – a simple registry office ceremony with just a pub lunch for a few close friends and family.

After all, money will be tight until he finishes his teacher-training and there’s the mortgage on a flat to take into account. But Liz, Rachel’s mother, has other ideas; they involve wedding lists, a lavish church ceremony, a sit-down meal in a marquee, top-of-the-range photography and – of course – a gasp-eliciting wedding dress.

As with any comedy which threatens to tip over into farce (or perhaps even into tragedy), we meet membes of a somewhat disfunctional family. Julia Hills as Liz, the micro-managing mother in question, dominates the action, well contrasted with her husband Mel, to whom Derek Frood imparts a distinctly laid-back quality. Nav Sidhu’s Scott is a young man with principles – and he’s sticking to them.

Elisabeth Hopper’s Rachel is another credible character, knowing what she wants n her heart of hearts, but concerned not to wreck her family in the process. Wrecker in chief is her elder sister Alison (Elizabeth Cadwallader), going through a messy divorce process with Mike (Lloyd Gorman), and matter aren’t helped by Kiernan Hill’s Graeme, a vicar too trendy for anyone’s good. Then Andy (Ben Callon), the son of the family drifts in…

The garden set by James Button has its own surprises, with musicians materialising from some unusual places, not to mention a selection of projections. Machin keeps the action fast and suitably furious, though the script could perhaps be better for a little trimming. There’s a superb coup de théåtre towards the end with a repercussion with is equally unexpected.

Four and a half-star rating.

Worst Wedding Ever continues at the New Wolsey Theatre, Ipswich until 11 March with matinées on 8 and 11 March. It then transfers to the Queen’s Theatre, Hornchurch between 15 March and 1 April.

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Filed under Plays, Reviews 2017