(reviewed at the Avenue Theatre, Ipswich on 10 December)
Red Rose Chain likes to strike out on its own path for its Christmas show; this year it’s Joanna Carrick’s adaptation of the RL Stevenson adventure classic. Carrick’s script is faithful to the story, so her three-actor production might well be a trifle too violent and noisy for very young audience members.
We begin with Gideon (Ryan Penny), a hapless cleaner for a rehearsal space. Mandy (Claire Lloyd) soon puts him right. Considerable knockabout later, we’re into the story proper, as young Jim, the blustering Squire Trelawney and the pragmatic Dr Livesey set sail from Bristol in search of Captain Flinet’s treasure.
Of course, one of their major problems is that the seemingly helpful ship’s cook Long John Silver and his shipmates are on the same quest. Lloyd, Joel Macey and Penny swap roles and “improvise” locations at a bewildering rate, though much of the detail as well as the fast-moving narrative comes across clearly.
The ad-hoc elements of the design (steel drums, packing cases table-cloths for sails and so on) add to the illusion, as do Laura Norman’s sound effects and Jimmy Grimes’ puppets – Silver’s parrot is a particular audience favourite – but don’t get too close; he might bite!). David Newborn’s lighting adds considerable to the atmosphere, which is not an easy task given that the audience sits on three side of the acting area.
Treasure Island runs at the Avenue Theatre, Ipswich until 2 January (check the theatre website (redrosechain.com) for performance times).
(reviewed at the Theatre in the Forest, Jimmy’s Farm, Wherstead on 29 July)
“Ramshackle” and “shenanigans” are two words mentioned in the programme for Joanna Carrick’s production of The Tempest, this summer’s Shakespeare from the Red Rose Chain at the Theatre in the Forest.
They are apt, for the cast of five appear much more at home with the rough’n’tumble of the jester and the butler than with the poetry and multi-levels of treachery, betrayal and redemption which underpin the story of Prospero, his usurping brother and the equally disfunctional royal family of Naples.
So Edward Day – who plays Prospero and Sebastien, the Milanese dukes – comes to life as clown-masked and wigged Trinculo; Prospero’s great speeches somehow seem to take second place. Rachael McCormick doubles Miranda (a typically stroppy teenager) and the pedantic but honourable councillor Gonzalo. Lawrence Russell is a boyish Ferdinand, the crown-ambitious Antonio and a literally knockabout Stephano.
This is a play, like A Midsummer Night’s Dream, where the spirit and the mortal worlds meld. Kirsty Thorpe’s Caliban not only provides some of the production’s most intelligent speaking but makes Alonso’s grief at the apparent loss of both his daughter (to marriage) and his son (presumed drowned) credible. Jack Parker is an Ariel with an underpinning of Puck as he seeks to earn his freedom.
Carrick’s production makes much use of water, quite a lot of which finds its way among the audience; if you prefer to remain dry, don’t book for the foremost block of seats stage right. David Newborn and Carrick have created a set in sea shades peopled with oil drums and overhung by an enormous sail.
Costumes for the shipwrecked contingent run variations on hot orange; island dwellers sport greens and more sea-blue. Laura Norman’s soundscape has live additions from the farm donkeys, beautifully on cue at “The isle is full of noises”. McCormick is also the choreographer.
The Tempest continues at the Theatre in the Forest until 28 August with matinées on 6, 13, 20 and 27 August.