Tag Archives: Jonny Fines

An Officer and a Gentleman

reviewed at the Regent Theatre, Ipswich on 27 August

We all have dreams, and nightmares. Sometimes they come true. The stage musical version of the 1982 film  has a book by Douglas Day Stewart and Sharleen Cooper Cohen with songs from the original orchestrated by Tom Marshall directed by Michael Riley.

This touring production by Nikolai Foster originated at the Curve in Leicester. It has a flexible set – ladders, some furniture – by Michael Taylor and relies mainly on Ben Cracknell’s lighting and Douglas O’Connell’s video to take us between the naval training facility and the paper factory where the main characters work.

For a 2018 audience, one of the most interesting of these is Casey (Keisha Atwell), the girl who breaks one type of glass ceiling with her determination to become a naval navigator. Both Paula (Emma Williams) and Lynette (Jessica Daley) are equally frustrated by their monotonous work with no chance of real promotion.

They have different escape routes, though. Atwell shows Casey’s dogged determination, which wins her the respect of her fellow trainees and even of the hard-bitten sergeant Foley (Ray Shell), who drives his latest recruits to  breaking point.

In the case of Sid (Ian McIntosh), the strain is exacerbated by his romance with Lynette, prepared to go a step too far to secure a future. Both Daley and Williams have strong voices as well as making both the contrast and the similarities in the two girls clear.

Jonny Fines’ Zack is another troubled soul who joins up to escape both the no-end gangland culture sucking him in and the bitterness of his former petty officer father Byron (an excellent cameo by Darren Bennett),

You can’t have a musical without movement. In this instance it’s Kate Prince’s choreography which provides both the energy of the different dance venues in which out young people find themselves and the athleticism as well as precision of the military drills and exercises – not to mention the fights.

This variation on An Officer and a Gentleman has visual style, talent and integrity. I’m not so sure about its heart. That, for me at any rate, remained slightly two-dimensional.

Three and a half-star rating.

An Officer and a Gentleman runs at the regent Theatre, Ipswich until 1 September with matinée performances on 30 August and 1 September.

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Filed under Music Music theatre & opera, Reviews 2018

Annie

(reviewed at the Cliffs Pavilion, Southend on 3 August)

Little orphan Annie is not a newcomer to UK stages, though this production by Nikolai Foster for Michael Harrison and David Ian is something of a radical re-think. Yes, it’s still a razzamatazz of a musical, set in Depression-era New York with a cameo roll-on part for President Roosevelt, but Foster has injected just a touch of grit into the syrup.

Our heroine, at the performance which I saw, is Madeleine Haynes, all ginger pigtails and attitude. Balancing the sound system at the first date in a new theatre is always slightly problematic, and her words didn’t come into proper focus until the second half. The eight-piece band under George Dyer make the most of the score and there is real dymamisim in Nick Winston’s choreography, with its cheeky salute to Jerome Robbins and Gene Kelly.

Annie’s would be nemesis is the trio of Miss Hannigan (Craig Revel Horwood), her brother Rooster (Jonny Fines) and his moll Lily (Daljenga Scott). Horwood’s drag-act is as accomplished as ever, though never quite show-stopping. “Easy street” shows them at their best, that is to say worst. “Daddy” Warbucks, the billionaire who discovers that he has a heart as well as a fortune, and his secretary Grace Farrell come over as thoroughly believable people in Alex Borne’s and Holly Dale Spencer’s characterisations.

Callum McArdle is the wheel-chaired president who tries to find Annie’s parents and somehow in the process thaws Warbucks’ stalwartly Republican convictions. Colin Richmond has designed an effective all-purpose set, based on jigsaw puzzle pieces with just the odd piece of necessary furniture – a desk, orphanage beds, a table, sofa or art déco doorway – signalling a change of location.Ben Cracknell’s lighting is equally clever.

Annie runs at the Cliffs Pavilion, Southend until 8 August and at the Theatre Royal, Norwich between 17 and 22 August.

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Filed under Musicals, Reviews 2015