Tag Archives: James Peake

Babe, the Sheep-Pig

reviewed at the Mercury Theatre, Colchester on 2 August

It’s not surprising that Dick King-Smith’s book The Sheep-Pig has won hearts since 1983. The eponymous hero Babe is a heart-stealer, well personified in the realistic puppet ably manipulated by Jonathan Cobb in Katie Posner’s new production of the David Wood stage adaptation for the Mercury Theatre.

You may never have been within touching proximity to a sheep or a pig until it reaches your plate, but farm animals of all kinds have parading before us from earliest childhood, in picture books, bedtime stories and television animation.

Sheep-dog trials have become a television favourite. Is it the unpredictability – so much depends on animal as well as human behaviour?  Or is it that they blend a unique combination of scenic location with hard-learnt skills?

Babe’s mentor on Mr and Mrs Hoggett (Gareth Clarke and Heather Phoenix)’s farm is sheep-dog Fly (Jessica Dyas). Dyas establishes a rapport with the young audience  from her first entrance as she introduces the bewildered piglet to the other animals.

These include the supercilious cat (Rachel Hammond), the blowing-his-own-trumpet cockerel (Joseph Tweedale and the strutting turkey (James Peake). Not that country life is all sunshine and fodder. it also harbours both human and animal predators.

Among the victims is old ewe Ma (Ebony Feare). The picture-book settings and animal costumes by Sara Perks work well, as does Alexandra Stafford’s lighting; the catchy score is by Richard Reeday.

There are occasions when one feels that adult audience members are there as a sort of penance. This is one of those shows which appeals on all age levels, clever enough to hold grown-up attention while subtly draping the central philosophy of courtesy as well as skill with an almost hypnotic rhythm.

Five star rating.

Babe, the Sheep-Pig runs at the Mercury Theatre, Colchester until 26 August with daytime performances.

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Filed under Family & children's shows, Reviews 2018

Peter Pan

reviewed at the Mercury Theatre, Colchester on 2 August

JM Barrie’s play is most often seen nowadays in a Christmas pantomime version, complete with Dame. I suspect that’s what many in the audience were expecting, especially the very youngest children. What we saw is a tactful adaptation of the script by Daniel Buckroyd and Matthew Cullum (who also co-direct) with an original score by Richard Reeday.

The settings of Simon Kenny invite you to let your imaginations work – and roam. They’re deceptively simple with items manoeuvred into place by the cast of eight or swirls furling across the stage as locations shift. There’s a clever crocodile, a bath-boat and well-sustained lifts and movement for the flying sequences.

Emilio Iannucci’s Peter has the right blend of juvenile two-dimensional attitudes, athleticism and a dangerous touch of feral quality. Charlotte Mafham as Wendy shows us the inherent motherly qualities of the teenage daughter with only younger brothers; you can see why the children invading the stage at the end of the play gravitated towards her.

Mischievous, jealous Tinker Bell, in Alicia McKenzie’s portrait, makes a good contrast with Sara Lessore’s self-controlled Tiger Lily. Pete Ashmore doubles paterfamilias Mr Darling and Captain Hook (definitely no Eton alumnus) with Katharine Moraz as his wife and pirate Smee. James Peake is a properly exuberant Nana and lost-boy Slightly.

Some of the music is pre-recorded but the cast play various instruments, including Peake with a tuba, a piano and a variety of strings and woodwind. The evocative lighting is by Mark Dymock with sound design by Christopher Bogg.

Four star rating.

Peter Pan runs with an early evening start time at the Mercury Theatre, Colchester until 26 August with matinées on 3, 5, 6, 9, 10, 12, 13, 16, 17, 19, 20, 23, 25 and 26 August.

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Filed under Family & children's shows, Reviews 2017