Tag Archives: Jack Parker

The Tempest

(reviewed at the Theatre in the Forest, Jimmy’s Farm, Wherstead on 29 July)

“Ramshackle” and “shenanigans” are two words mentioned in the programme for Joanna Carrick’s production of The Tempest, this summer’s Shakespeare from the Red Rose Chain at the Theatre in the Forest.

They are apt, for the cast of five appear much more at home with the rough’n’tumble of the jester and the butler than with the poetry and multi-levels of treachery, betrayal and redemption which underpin the story of Prospero, his usurping brother and the equally disfunctional royal family of Naples.

So Edward Day – who plays Prospero and Sebastien, the Milanese dukes – comes to life as clown-masked and wigged Trinculo; Prospero’s great speeches somehow seem to take second place. Rachael McCormick doubles Miranda (a typically stroppy teenager) and the pedantic but honourable councillor Gonzalo. Lawrence Russell is a boyish Ferdinand, the crown-ambitious Antonio and a literally knockabout Stephano.

This is a play, like A Midsummer Night’s Dream, where the spirit and the mortal worlds meld. Kirsty Thorpe’s Caliban not only provides some of the production’s most intelligent speaking but makes Alonso’s grief at the apparent loss of both his daughter (to marriage) and his son (presumed drowned) credible. Jack Parker is an Ariel with an underpinning of Puck as he seeks to earn his freedom.

Carrick’s production makes much use of water, quite a lot of which finds its way among the audience; if you prefer to remain dry, don’t book for the foremost block of seats stage right. David Newborn and Carrick have created a set in sea shades peopled with oil drums and overhung by an enormous sail.

Costumes for the shipwrecked contingent run variations on hot orange; island dwellers sport greens and more sea-blue. Laura Norman’s soundscape has live additions from the farm donkeys, beautifully on cue at “The isle is full of noises”. McCormick is also the choreographer.

The Tempest continues at the Theatre in the Forest until 28 August with matinées on 6, 13, 20 and 27 August.

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Filed under Plays, Reviews 2016