Tag Archives: Hemel Hempstead Arts Centre

Parkway Dreams

(reviewed at the Sir John Mills Theatre, Ipswich on 2 September)

Inspiration for a musical can come from some odd places, but Eastern Angles’ artistic director Ivan Cutting is probably correct when he suspects that Parkway Dreams is the first to take town planning as a theme. Newly revised and about to launch itself on a national tour, this is an altogether tauter show than in its previous incarnation.

The story revolves around the evolution of Peterborough, when the then Ministry of Town and Country Planning – seeking to solve the post-war housing crisis – latched upon the ideas of garden city movement pioneer Ebenezar Howard (unlike most theorists, Howard’s vision had actually translated into reality, in the shape of Letchworth and Welwyn Garden Cities).

Selected for one of these overspill schemes was the ancient cathedral city of Peterborough, known to the Romans and housing the tomb of Catherine of Aragon. We follow the dispute and Council wranglings as consultant planner drew up his draft plans and gradually won support. Robert Jackson makes him a sympathetic visionary, not the easiest type of character to pull off.

A fictional human story is introduced with Jack (Matt Ray Brown) and his wife Mary (Polly Naylor). They’ve been bambed out of their London home, jobs for de-mobbed ex-servicemen are thin on the ground and they both want a better future for their son Peter. Not that new-build Peterborough is all sweetness and light, for all its grassy spaces, educational opportunities and leisure facilities. Factories, even new ones, do close and have to lay-off staff.

“The Peterborough Effect” goes the slogan and turns into the best musical number in Simon Egerton’s score. The fast-moving script is by Kenneth Emson, based on eye-witness testimony treated by him and Cutting with just the right lightness of touch. Documentary theatre this may be, but it manages to wear that pedigree with carefree aplomb. Charlie Cridlan is the designer with Robert Hazle (who has a nice sideline in politicians of various hues) is the musical director.

Parkway Dreams
runs at the Sir John Mills Theatre, Ipswich until 7 October. The tour takes in Harlow Playhouse Studio (15-16 October), Braintree Arts Theatre (17 October), Hemel Hempstead Arts Centre (20 October), the Tameside Theatre, Thurrock (21 October), the Luton Hat Factory (22 October), the Mercury Theatre Studio, Colchester (23-24 October) and the Weston Auditorium, Hatfield (26 October).

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Dickens Abridged

(reviewed at the Westacre Theatre, West Acre on 18 September)

A spin-off from the original Complete Works of Shakespeare (Abridged) company, is on the road with Adam Long’s take on Charles Dickens. It encompasses in 90 minutes the novelist’s fast literary output as well as his somewhat disjointed life. It’s fair to describe Dickens Abridged as a musical, though Long’s clever use of projections might also quality it as a multi-media experience.

Whatever its artistic category, it’s a thoroughly enjoyable romp through mid-19th century fiction. With the aid of a guitar apiece, quick costume (and gender) changes and a nice balance of fact with comedic elaboration, the four-strong cast take us from Dickens’ own fraught childhood, through marriage, success, 10-strong fatherhood to his late romance with the actress Ellen Ternan and the physical crumbling partly occasioned by his dramatic recounting of Nancy’s murder from Oliver Twist.

Some of the novels are dismissed in four-line jingles while others are afforded a slightly more extended – if still elliptical – treatment. Great Expectations (you’ve never seen Miss Haversham’s immolation staged quite like this), A Tale of Two Cities with an applauded guillotine scene and a romp through A Christmas Carol which had Cratchit and Scrooge as overcome by laughter (aka corpsing) as the audience.

An apocryphal encounter at Dickens’ graveside between Ternan and the discarded Catherine Dickens née Hogarth works very well to demonstrate that Dickens the writer may be a national treasure but Dickens the man was of more tarnished metal. The projections include photographs and engravings as well as story-boards to fix our attention and remind us of the realities of 19th century London.

Martin Sarreal makes Catherine sympathetic as well as revelling in Agnes Wickfield’s virginal simplicity, such a contrast to Matthew Hendrickson’s lapdog-clutching Dora (Hendrickson is also Miss Haversham). Matt Bateman plays Dickens, as well as some of his creations and Andrew Gallo takes on many of the male fictional characters derived from Dickens’ own story as well as from his fertile imagination.

Dickens Abridged runs at the Westacre Theatre until 20 September. It can also be seen at the Arts Centre, Hatfield University (19 October) and at the Mumford Theatre, Cambridge (20 October), Harlow Playhouse (21 October), The Cut, Halesworth (22 October) The Norwich Playhouse (2-3 November), the Hertford Theatre (6 November), the Arts Centre, Hemel Hempstead (24-25 November) and the Maltings, Ely (28 November) as part of a national tour.

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Filed under Musicals, Reviews 2015