reviewed at the New Wolsey Theatre, Ipswich on 25 April
English Touring Theatre (ETO) has chosen Tennessee Williams’ 1947 tragedy as one of its 25th anniversary productions. Director Chelsea Walker has updated the action to 2018 – I’m not sure that the 70-year time leap quite succeeds.
It allows for integrated casting and the casual violence, both physical and mental, dealt out by most of its male characters to the women who (theoretically) they care about is regrettably still with us, But the central character, Blanche Dubois (Kelly Gough) is surely more a person of her time than ours.
Gough gives us all Blanche’s posturing and mood swings as well as the diverse personalities which she inhabits, from the white-clad Louisiana plantation mistress who apparently finds to impossible to accept the way in which her sister Stella (Amber James) is living to the schoolmarm taking a sabbatical to the nymphomanic.
No-one in this New Orleans apartment block lives in isolation. Stella’s husband Stanley Kowalski (Patrick Knowles) keeps open house for his men friends while their women grab every opportunity to take what fresh air the neighbourhood offers.
Nicole Agada, Maria Louis, Will Bliss and Joe Manjón in these rôles twine above and around the main action like a species of demented Greek chorus. that classic theatre sense of the inevitability of disaster is fostered by Giles Thomas’ subtly persistent soundscape and Georgia Lowe’s minimalist pillared set.
The acting throughout is extremely good; I wish I could say the same for the diction. The opening scenes are taken at a pace which surely leaves the audience desperately trying to catch up, so that at time we seem to be watching rather than listening.
Knowles’ violently masculine Stanley is well contrasted with Dexter Flanders’ Mitch, the mild-mannered well-spoken member of Stanley’s poker quartet. Mitch is the proverbial quiet man who sees no reason to throw his weight around.
There is real tragedy in his exchange with Blanche when he wants her to meet his terminally ill mother (a proposal of marriage coming ever closer) only to be stonewalled by Blanche’s congenital inability to tell the simple truth. She has told him about the trauma of her failed marriage, but is this the whole truth?
Four star rating.
A Streetcar Named Desire runs at the New Wolsey Theatre, Ipswich until 28 April with a matinée on 28 April. The tour includes the Cambridge Arts Theatre between 1 and 5 May.