Tag Archives: Emily Bennett

The Mariner

reviewed at the Headgate Theatre, Colchester on 12 October

Samuel Taylor Coleridge is probably as much remembered by the general public today for his troubled life and opium addiction as for his verse and association with Wordsworth’s circle.

Of his poetry, the most likely to be known is The Rime of the Ancient Mariner, a chilling timeless sea-farers’ tale cast in a deliberately antique format. Pat Whymark’s new play, into which she weaves her own and Emily Bennett’s music, sets The Rime into a biographical narrative.

Richard Lounds makes Coleridge into a slightly cherubic, perpetually juvenile figure, forever wanting more from life and relationships than is feasible. He is understandable, even when being irritating. Eloise Kay, who has an excellent singing voice, plays his long-suffering wife Sarah.

From the beginning of their marriage, Coleridge seems to have seen their partnership as one in which he made all the rules. Sarah was supposed to rear their children, keep house without a regular income, act as his inspiration – and follow him up to the Lakes as a full member of Wordsworth’s coterie.

The opposite sort of woman is personified by Bennett’s Mrs Bainbridge, Coleridge’s non-nonsense London landlady and Wordsworth’s devoted, free-spirited sister Dorothy. Coleridge’s equally-addicted friend Thomas De Quincey, himself engaged in a love-hate relationship with Wordsworth’s circle, is sharply personified by Anthony Pinnick.

Whymark presents this chronicle in a series of exchanges between Coleridge, Mrs Bainbridge, Sarah, De Quincey, the Wordsworth siblings and finally with the doctors who offer to manage his addiction.

The thread upon which this string of faceted beads is strung is The Rime itself. Julian Harries’ recitation is glossed by Coleridge’s own prose annotations; between them they make the familiar, often parodied poem as chilling as its author intended.

Four star rating.

The Mariner is at the Headgate Theatre, Colchester on 13 October with a matinée performance. The tour continues until 11 November and includes the Jubilee Centre, Mildenhall (15 October), the John Peel Centre, Stowmarket (17-18 October), Zinc Arts, Chipping Ongar (19 October), Southwold Arts Centre (24 October), the Jubilee Hall, Aldeburgh (25 October), the Corn Hall, Diss (26 October), the Seckford Theatre, Woodbridge (2 November), the Cut Arts Centre, Halesworth (6 November) and the Sir John Mills Theatre, Ipswich (7-9 November).

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Filed under Music Music theatre & opera, Plays, Reviews 2018

Sherlock Holmes and the Hooded Lance

reviewed at the Seckford Theatre, Woodbridge on 16 December

Common Ground’s creative team of Julian Harries and Pat Whymark have a good like in spoof shows, both for their own company and others. This year we are treated to a Sherlock Holmes adventure which I don’t think you’ll find in the official Conan Doyle canon. Five actors share some 18 parts between them.

Dick Mainwaring as Watson is the exception to the quick changes of costume and gender. He and Holmes (Harries) are broke in Baker Street with Mrs Hudson (Emily Bennett)’s Christmas fare receding faster than well-paid sleuthing. It’s fortuitous that Inspector Le’Opard (Joe Leat) comes calling with a problem.

The music which Whymark has composed and her dance routines are as usual well-conceived (she and Alfie Harries) accompany hese. Noteworthy are Bennett’s ballad as Miss Claypole, a department store employee stuck in a deadend job and only staying in it for the pension, the chorus numbers (which have considerable satirical bite) and Watson’s second-act lament.

Theatrical in-jokes as well as political ones flow through the dialogue; this is not really a show for small children. The ins and outs of the plot are sufficiently complex to keep the laughter coming; puppets (juggling with cats, anyone?) supplement the cast. Patrick Neyman  has the chance to switch accents as well as clothes as Mycroft and half of the store’s ownership.

Six other theatres are included in the Christmas tour, and I suspect that the whole thing will have tightened and speeded up once it is run-in. Common Ground, like many other smaller-scale regional companies, has learned that make-do-and-improvise can be a dramatic advantage as well as a drawback. This is a clever show, but somehow not quite clever enough.

Three and a half-star rating.

Sherlock Holmes and the Hooded Lance plays at the John Peel Centre, Stowmarket between 18 an 20 December, at the Jubilee Hall, Aldeburgh from 1 to 3 January, at the Corn Hall, Diss on 5 January, and at the New Wolsey Theatre Studio, Ipswich between 8 and 13 January. Peformance times and seat availability vary, so check the company’s website: www.commongroundtc.co.uk for details.

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Filed under Music Music theatre & Opera, Pantomimes & Christmas season shows, Reviews 2017