reviewed at the Palace Theatre, Watford on 5 October
Obsessions damage people. Both the one obsessed and those with whom he or she comes into contact. David Farr’s savage comedy, revived in a new production by Psyche Stott 20 years after the Palace Theatre commissioned it, has as its central character Bill (Niall Costigan), a football fanatic.
More precisely, a Watford Football Club fanatic. His life revolves around the club’s catastrophic defeat in the 1984 Cup Final at Wembley – which he attributes to a mis-shot due to the sun glinting from John’s spectacles as he rose to his feet to encourage the team.
If you have minimal interest in football, as I do, then your interest in this play has to be in the interplay of the different characters to whom Farr introduces us.
First of all there’s Dan (Leon Williams), Bill’s younger brother who turns up after an absence of some years with the two other members of his unsuccessful group – taciturn bass guitarist Shaun (Thomas Richardson) and extremely short-sighted drummer Tim (Euan Kitson).
Amy, a teenage girl who just loves a kick around, is played by Leila Ayad. The other woman’s role is that of Julie (Joanna Croll) a middle-life wife and mother who drops in on Bill each Saturday for a couple of hours’ sex. The confrontation between Amy and Julie provides the half-time coup de foudre.
Designer Ruari Murchison has provided a stark set which throws the excellence of the performances into focus. Costigan and Kitson dominate in their two very different ways and there is overall a real sense of time and place. But it remains a somewhat detached experience for all that.
Three and a half-star rating.
Elton John’s Glasses runs at the Palace Theatre, Watford until 21 September with matinées on 5, 7, 11, 14, 16, 18 and 21 September.