(reviewed at the Hostry Festival, Norwich on 24 October)
This solo operatic cantata by Kenneth Ian Hÿtch takes the words spoken by Lady Macbeth in Shakespeare’s tragedy and weaves them into a tonal but uncompromisingly modern examination of a woman with ambitions who ultimately fails because she finds herself able to initiate but not to execute.
It requires a singing actress, which is what Lisa Cassidy shows herself to be, managing the coloratura and bravura passages (notably in the banqueting scene) as well as the guilt expressed in the repeated “The Thane of Fife had a wife” from the sleep-walking scene which Hÿtch sets to a quasi folk tune which haunts the listener well after the conclusion of the piece.
Pianist William Fergusson and violinist Elizabeth Marjoram accompany Cassidy as – black-robed and variously mantled and crowned (with thorn-like spikes) – she demonstrates her love for her husband (a fur-collared cloak thrown over the back of a throne-like chair) and writhes both vocally and physically in a tortured torrent of impotence; she can take no action herself.
The promotional image for Lady Macbeth is the famous Sargent painting of Ellen Terry in the rôle, robed in Byzantine splendour and holding the crown aloft. Cassidy also holds the crown but shows that Lady Macbeth’s grasp is altogether less secure. it would be interesting to see and hear Cassidy in the Verdi Macbeth opera – the 1865 revision rather than the 1847 version.