Tag Archives: Eastern Angles Theatre Company

The Ladykillers of Humber Doucy Lane

reviewed at the Sir John Mills Theatre, Ipswich on 8 December

Be warned! Eastern Angles’ seasonal offering changes name when it reaches Peterborough’s Key Theatre for the final week of its three-venue run. There it becomes The Ladykillers of Orton Brambles – both are areas which  actually exist in their respective cities.

But one never expects everyday logic in on of these variations on a popular literary or dramatic themes. Harry Long’s script is (very loosely) based on the Ealing Films comedy – and of course there has recently been a very successful stage version at the nearby New Wolsey Theatre. Our band of robbers, newly sprung from gaol, here masquerade as thespians rather than musicians to hilarious effect.

Dominic Conway has provided some catchy tunes for the cast of five to sing and play. Designer Sean Turner makes a small acting-area with the audience on two sides and the necessity for a bewildering number of costume changes seem as natural as Laura Keefe’s production allows.

The gang is masterminded by Todd Heppenstall as Left Eye with Emma Barclay’s Cow Crusher as his right-hand person. Barclay also doubles as Binkie Blaine, a landlady whose crush (to put it politely) on Michal Ball provides a running joke throughout.

Also involved is slow-witted Scar Feet (Daniel Copeland) and thwarted dancer Smithy; Alex Prescot’s interpretation of the menservants in the production of The Importance of Being Earnest and Keshini Misha’s Method-soaked Kim are ponted reminders of performers who drive their directors  to drink.

We also meet the policemen whose boring desk-duty is scarcely enlivend by Binkie’s regular reporting on conspiracies; she’s an up-to-date old lady, for her suspecisions are well nurtured by Facebook and Twitter.

Four and a half-star rating.

The Ladykillers of Humble Doucy Lane/of Orton Brambles runs at the Sir John Mills Theatre, Ipwich until 6 January. It transfers to the Seckford Theatre, Woodbridge between 9 and 20 January and (with the alternative title) to the Key Theatre Studio from 23 to 27 January. Performnce dates and times vary. Check the Eastern Angles website:www.easternagnles.co.uk for details and seat availability.

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Filed under Music Music theatre & Opera, Pantomimes & Christmas season shows, Plays, Reviews 2017

All Wrapped Up in Westwood

reviewed at The Undercroft, Peterborough on 29 October

This is the latest in Eastern Angles’ plays based on archival and spoken evidence – an example of the company’s own unique brand of drama-documentary. Freemans Catalogue Distribution Centre operated in Peterborough between 1969 and 2009 and its (largely female) employees were instrumental in initiating equal pay reforms.

Queen-pin of the story as written by Ivan Cutting is Edie (Jan Wright) who became the union’s shop steward. We also enter the lives of various of her colleagues, notably  Mandy (Kat Cushman) who tragically miscarries and Aisha (Summer Mooed) who works for Freeman having discovered that her secretarial skills are outweighed by her brown skin.

Suzanne Tuck as Kath, Rubin Carter as Liz and Michelle Scott as Susan also give good performances. Fiona Rigler has designed a suitably open and somewhat bleak set for Poppy Rowley’s production, which keeps the action on the move as the years pass, people come and go and new owners take over putting more emphasis on profitability than on personnel.

In many ways, this is a site-specific production, if you take “site” to be a place or even a city rather than an individual building or piece of open ground. Peterborough itself is an amalgam of the old and the new. Outreach ventures such as Eastern Angles’ local productions help to cement the two more firmly.

Three and a half-star rating.

All Wrapped Up in Westwood runs at The Undercroft, Serpentine Green, Peterborough until 5 November. There are matinée performances on 4 and 5 November.

 

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Filed under Plays, Reviews 2017