(reviewed at the Theatre Royal, Bury St Edmunds on 11 December)
It’s proving to be the most popular pantomime story this Christmas. Chris Hannon has come up with yet another version of the Beauty and the Beast story for Karen Simpson’s production. We’re vaguely in the Middle Ges where the villagers are torn between half-believing the stories about a beast terrorising the old abbey gardens and working out how to exploit this as a tourist attraction.
Belle (Louise Olley) has been selected (though of course she doesn’t know it yet) by green-fingered, pink-wellie-booted Fairy Blossom (Leonie Spilsbury) to undo the curse laid on a too-selfishly preening Lord Leopold (Sebastian Hill) by the evil Elvira (Britt Lenting). All three have good voices, as does Hill, when he gets the chance.
Designs are by rebecca Lee with a fine sequence of sets and a very good costume for the beast; the mask is particularly effective. The young chorus sing and dance to fill the stage thoroughly professionally. Belle is no meek girl in Olley’s characterisation; she needs to be strong because her father is a has-been touring actor Sir Kenneth Branflakes (Martin Neely) and cake-shop proprietor Molly Muffintop (Eamonn Fleming) has her own agenda.
Fleming is a Dame very much of the no-nonsense school; he works well off the audience as does Michael Lapham as dopey Barney Muffintop. Lenting commands the stage in her numbers; musical director Ward Baker makes good use of the choice of favourite – but always appropriate to the situation numbers. Julia Cave’s choreograpy and Jake Taylor’s lighting add to the fairy-tale atmosphere. There’s good use of amplified sound at atrategic moments by Andy Hinton.
Beauty and the Beast runs at the Theatre Royal, Bury st Edmunds until 15 January. Check the theatre’s website (theatreroyal.org) for performance times.