reviewed at the Cambridge Arts Theatre on 6 November
Where do our prejudices come from? nature or nurture? The question underlies Alfred Uhry’s deceptively straightforward Driving Miss Daisy which the Theatre Royal, Bath is currently touring in a 30th anniversary production.
Director Richard Beecham and designer Simon Kenny keep the three-hander on the move with clever use of a bleached-effect set, suggestive of clapboard and minmal props and furnishings. There i also highly effective music an sound by Jon Nicholls. But for all this, it all boils down in the end to the actors themselves.
Siân Phillips is Miss Daisy, the former teacher who crashes the car her businessman son Boolie (Teddy Kempner) has bought her and is now required to use a Black chauffeur Hoke (Derek Griffiths). her perforamnce is beautifully nuanced as the Jewish momma with her own prejudices begins to trust Hoke and ultimately to depend upon him.
Kempner’s study of a man who is accepted as a quasi-honorary member of WASP society, but who is perhaps too careful not to overstep the mark is also multi-faceted. Hoke has his own shoulder-load of chips and Griffiths entices us with equal skill to join him in the character’s own journey from spikey, well-concealed resentment to a mental and social place of comparative calm.
The waltz rhythm of the old “When the ball is over” ballad permuates the action. It suggests a flavour of Tennessee Williams’ faded Southern belle Amanda, but Phillips’ Daisy learns how to baance a never-to-come-again past with the inevitibility of future’s changes. it makes for a memorable, thought-provoking evening in the theatre.
Four and a half-star rating.
Driving Miss Daisy runs at the Cambridge Arts Theatre until 11 November with matinées on 9 and 11 November.