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Don’t Look Now

(reviewed at the Queen’s Theatre, Hornchurch on 26 October)

What sends shivers down the spine where tales of the supernatural are concerned is often less the visualised than the imagined. We all cast our demons from different moulds. Nell Leyshon’s stage adaptation of Daphne du Maurier’s short story Don’t Look Now is given a production by Simon Jessop which knows when to make evil concrete – as little as possible.

It is the Venetian setting designed by Norman Coates with the visual effects projected onto its bridges, water and shuttered windows by Dan Crews and the trickling soundscape devised by Andy Smart which create the atmosphere. We begin by an open grave before which grief-striken mother Laura (Charlotte Powell) stands motionless. Hymns and part of the Requiem Mass are heard while we watch the image of Laura and John’s young daughter Christine drown.

John (Tom Cornish) whisks Laura away to Venice, where they spent their honeymoon. He’s prepared to move on – after all their son John is alive, well and safe at his boarding school. As one cannot help but empaphise with Laura, to whom Powell gives sincerity in her grief and inevitable feelings of guilt (“why didn’t I…?), Cornish balances this by showing John less as unfeeling but more as something of a pragmatist.

The hotel bedroom scene where his desire to make love with his wife at first meets resistance that (perhaps) melts into acceptance, is cleverly played on two levels with the live actors and their projected images. The mutual ground which constitutes terra firma for this husband and wife is quietly crumbling. Their encounters with two strange, identically dressed elderly women (Gillian Cally as the sister with explanations, Tina Gray as her blind mystic sibling) display brutally the gulf opening for Laura and John.

You probably know what happens next. Onlookers and participants in their own parallel civic drama are the police chief (Stuart Organ) hunting a serial killer, the hotel clerk (Callum Hughes) and the restaurant proprietor (Sam Pay). A mysterious beak-masked sacristan – a commedia dell’arte character or a plague doctor? – and a diminutive red-cloaked figure (Karen Anderson) haunt this winter Venice.

Don’t Look Now runs at the Quen’s Theatre, Hornchurch until14 November.

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Filed under Plays, Reviews 2015