Tag Archives: Daniella Piper

Sinbad

(reviewed at the New Wolsey Theatre, Ipswich on 29 November)

Trust Peter Rowe and the New Wolsey Theatre to come up with a variation on the traditional pantomime. Sinbad is a story which has somehow slipped from the 21st century repertoire, though it was popular in the 19th. Here Rowe has given it his theatre’s regular rock’n’roll treatment – with some unusual twists.

As one expects nowadays, the heroine is no languishing miss; Pricess Pearl (Daniella Piper) knows exactly what (and who) she wants – and that certainly doesn’t include her father the Caliph (Daniel Carter Hope)’s selection of wealthy magician Sinistro (Dan de Cruz) as her husband. Her put-upon handmaiden Jade (Lucy Wells) is also a lass with a mind of her own.

The trouble for both girls is that sailors are slippery creatures, none more so than Sinbad himself (Steve Rushton) and his bosun (Adam Langstaff). Running away to sea might have seemed an easy option on dry land, but once sails are set… Also on board are Sinbad’s mother Donna Souvlakia (Graham Hent) – no prizes for guessing just which foodstuffs this raucous Dame purveys!

Particularly interesting is the second comic role – Tinbad the Tailor, an erudite nod by Rowe and the excellent Rob Falconer in the direction of James Joyce. He comes close to stealing the whole show with his sly wooing of think-I-can-do-better Donna. Our story-teller is, of course, Scheherezade (Elizabeth Rowe), an engaging dea ex machina.

All three girls sing well, as does Rushton and (when he is finally allowed to let rip) de Cruz. Darragh O’leary’s choreography is of the step, shuffle, turn school, though the eyelash-fluttering dromendary (well, it makes a change from a cow) manages some nifty footwork. Puppets, as New Wolsey audiences now expect, pop up from grave-traps and gaps in the flats; the designer is Barney George.

Sinbad runs at the New Wolsey Theatre, Ipswich until 28 January. Check the website wolseytheatre.co.uk for performance date and time details.

Leave a Comment

Filed under Pantomimes & other seasonal shows, Reviews 2016

The Sleeping Beauty

(reviewed at the Gordon Craig Theatre, Stevenage on 4 December 2015)

There are a number of commercial producers of pantomimes; not all of them have the production values of Eastbourne-based Chris Jordan. This year sees The Sleeping Beauty trapped by the vengeful Carabosse in Stevenage. The sets and costumes (Shelley Claridge) are colourful and there’s some excellent choreography by Philip Joel.

We begin with Fairy Fortywinks (Nicola Bryan) confronting the much more powerful Carabosse (Wendi Peters), an immortal with grievances. Lots of them.King Clarence (Paul Bentley) is missing his late wife and seeking a suitable prince to marry his daughter Belle (Daniella Piper). She doesn’t take kindly to being cosseted either by her father or by Nellie Night Nurse ((Paul Laidlaw).

Laidlaw is an experienced Dame, of the cuddly rather than abrasive variety. Son Chester (Aidan O’Neill) is the Court Jester and, of course, secretly in love with Belle. That doesn’t make Prince Valiant (Gregor Stewart)’s task any easier as he goes in search of a suitable bride. The “Love me” duet is an attractive number.

Carabosse has a team of helpers, and very nasty they are too. There’s an attractive duet for Belle and Valiant before the spectacular final to the first act. In Act Two we have Nellie’s famous strip-tease as well as a time machine (not a million miles from Dr Who’s police-box) to take everyone forward a hundred years.

The Sleeping Beauty runs at the Gordon Craig Theatre, Stevenage until 24 January.

There’s a dragon in the ghost scene, which makes a nice change, and at least one spectacular exit through the orchestra pit – James Cleeve’s domain. Innovations are carefully blended with the expected traditional – such as the kitchen scene. And Fairy Fortywinks may keep on dropping off at crucial moments – but she has a winning way with her trumpet.

Leave a Comment

Filed under Pantomimes & seasonal shows, Reviews 2015