(reviewed at the Rhodes Arts Centre, Bishop’s Stortford on 11 December 2015)
You can trust the annual Rhodes pantomime master-minded by Phil Dale (co-script writer, co-director and surely the only bearded Dame in the business under the nom de guerre Sarah Cook to fill the wide but shallow stage and spill action across the auditorium.
It’s traditional – the Principal Boy title role is filled by Katie Miller (with a cleavage) – but also quirky with its three comics – William Eaden as Jack’s brother Silly Billy, a sort of Mickey Rooney clone, and that Laurel and Hardy duo of Wingnut (Daniel Boulton) and Spanners (Dan James).
Our villain is Baron Backhander who Duncan Rutherford plays as a particularly selfish hedge fund manager, not light years away from last year’s King Ratputin. Oh yes, and there’s a proper over-sized Giant as well (George Jack). Fairy Evangeline Rainpetal (Jeanne Stacey, who is also co-director) has to work hard on Jack’s behalf.
Georgia Collins is Jill, the object of Jack’s affections and a bright lass who has the measure of her grasping father. Central to the story is Daisy the cow (Jack and Drew Gregg step out neatly). The choreography is by Katie Barker-Dale and really shows of the young dancers. Miles Forman (sporting a fetching piano-keyed scarf) and Lee Levent are the musicians.
Act Two takes us high into the skies with the Giant’s castle veiled in mist. We meet some raucous seagulls, more or less under the control of Dr Albert Ross (Gregg, who also voices the disgruntled goose). Thanks to – or should that be n spite of? – Milky Mary’s ballooning interventions on behalf of her two sons, all of course ends as it should do.
This season’s crop of farting jokes flourishes, as do an alarming number of references to testicles. We don’t really believe that Backhander will metamorphose into Candy Man, but I always think that the test of a proper pantomime villain is that we know he is down but never quite out. Even when his nemesis is a giant-slayer.
Jack and the Beanstalk runs at the Rhodes Arts Centre, Bishop’s Stortford until 2 January.