Tag Archives: Corn Exchange Cambridge

Pride and Prejudice

(reviewed at the Theatre Royal, Norwich on 27 September)

Deorah Bruce’s revival for the Regent’s Park Theatre of her original 2013 production is now on an autumn tour. The script, which weaves much of Jane Austen’s dialogue with some excellent pastiche, is the one by Simon Reade; dramatist and director keep the action fast-moving, thanks to Max Jones’ flexible, revolving set which involves Regency-style metalwork and a staircase (the more athletic cast members have their own shortcuts with this.

Costumes are by Tom Piper, and in period, though I did feel that neither Mr Bingley (Jordan Mifsúo) nor Mr Darcy (Benjamin Holloway) would have committed the solecism of wearing boots in a ballroom. Mrs Bennet ((Felicity Montagu) begins the play with what must be one of the most famous opening lines in all English-language literature and rounds it off at the end with a reprise.

The cast includes a number of professional débuts; Anna Crichlow as Kitty Bennet and Georgina Darcy), Hollie Edwin as Jane – making the eldest sister into something more than just meek and attractive – and Kirsty Rider as a waspish Caroline Bingley. Matthew Kelly is Mr Bennet (more on the cuddly than the caustic spectrum). Montagu has most of the audience on her side from the beginning.

She is however a figure of fun; Steven Meo’s Mr Collins tips over into the grotesque with his obsequeousness towards Lady Catherine (Doňa Croll) and her nephew. One does feel that Carlotte Lucas (Francesca Bailey) will end up just as much of a domestic tyrant as Lady Catherine. Daniel Abbott plays Mr Wickham, that untrustworthy smiler, well matched by Mari Izzard’s feckless Lydia.

Music and dancing were key elements of social intercourse in the Regency period. Some of this, for the keyboard, is a little too obviously pre-recorded with the sound not quite balanced; the original music is by Lillian Henley. Siân Williams has devised some neat choreography for the dances with occasional frozen-action moments to allow us to concentrate on the Elezabeth-Darcy confrontations.

Tafline Steen is a delightful Elizabeth, a girl who cares for her sister’s distress, recognises her father’s weaknesses as well as his strengths and who never quite lets her tongue run away with her opinions to breach decorum. Holloway’s Darcy has an air of Byronic brooding as wel as a in-born hauteur, so that his impassioned and ill-phrased declaration to Elizabeth really makes an impact. Reserve, just like outspokenness imposes its own limits.

Pride and Prejudice runs at the Theatre Royal, Norwich until 1 October with matinéeson 29 September and 1 October. It transfers to the Corn Exchange, Cambridge for the week 4 to 8 October.

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Filed under Plays, Reviews 2016

Horrible Christmas

(reviewed at the Corn Exchange, Cambridge on 14 December 2015)

So you thought that Christmas had always been a festival of jollity and good will, did you? Wrong. Terry Deary, the Birmingham Stage Company and Derby Theatre knock a number of fallacies on their collective heads with Horrible Christmas., a seasonal addition to the Horrible Histories series.

We begin with a stage dominated by a Christmas tree with presents heaped at its foot. The young daughter of the house cannot stop herself from opening the wrapped boxes,in spite of her parents’ strictures. One of them reveals a book; “Books aren’t proper presents” this very 21st century miss declares.

Lurking in the background is Sydney Clause (Andrew Vincent), the antithesis of Santa Claus, that plump red-robed white-bearded figure so familiar to us. Deary and his Horrible Histories have perfected the delicate art of injecting information into unreceptive brains – and making it stick. So we learn that the red clothes are of recent origin and that the legendary Green Man was probably his forerunner.

But when did Christmas as we know really begin? Answer – Charles Dickens and “A Christmas Carol” in 1843. We slither back in time to the Cromwellian interregnum with an uptight Mrs Cromwell demolishing all the pagan and papist connotations of 25 December. Cue “We are the Puritans”, sung with Oliver Cromwell, his son Richard and daughter Elizabeth, all well under control by their wife and mother.

Jollity is (sort of) restored with Charles II but rigour rears its head when we go back to Henry VIII and his fifth wife Katherine Howard. “I’m wicked, I’m nasty” sings the king with soon-to-be-beheaded Katherine agreeing. This Henry is definitely from the Sid James mould. The real St Nicholas, bishop of Myra early in the fourth century, gives a dowry to a poor girl.

And so to the beginning of the story of gifts. Gold (for power), frankincense (for worship) and the myrrh of funeral rites are offered at a manger in Bethlehem. Sydney Clause, his abetting reindeer Rudolph and his sparky adversaries Shirley Holmes and Zoe Watson return to their proper spheres. The presents under the Christmas tree are now miraculously all intact.

It’s directed by Neal Foster and well designed by Jacqueline Trousdale. Matthew Scott is the composer and the extremely hard-working cast is Jo Mousley, Erika Poole, Caroline Rogers, Katy Withers, Martin Atkinson, Christopher Chilton, Jim Low and Andrew Vincent.

Horrible Christmas runs at the Corn Exchange, Cambridge until 9 January.

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Filed under Pantomimes & seasonal shows, Reviews 2015