Tag Archives: Connor Norris

Sleeping Beauty

reviewed at the Gordon Craig Theatre, Stevenage on 29 March

Reminding young people, and their elders, that there’s more to a traditional tale than its Disney version is an excellent idea. The sequence of spring musicals devised by Catherine Lomax shows just what can be done if you strip away any pantomime and animation elements.

This Sleeping Beauty is the joint creation of Lomax (direction), Phil Dennis (musical direction) and Khiley Williams (choreography). Connor Norris’ permanent set is medieval with soaring gothic arches and flambeau-bearing towers.

Lisa Hickey’s costumes contrast period realism for the court and townspeople with flower fantasy for the immortals. The good fairies represent spring flowers – Natalie Harman’s Tulip has a jolly-hockey-sticks personality, Francesca French’s Primrose is more sedate while Rebecca Gilhooley’s Bluebell (akin to the Lilac Fairy familiar from the ballet) is quietly authoritative.

In opposition stands Ellen Vereneiks’ withering Narcissus, the Carabosse of this musical. All four have strong voices, easily coping with Dennis’ mixture of bravura singing and close harmony. Abigayle Honeywill’s Beauty, Oliver Stanley as King Favian and Glenn Anderson as Prince Rowan make the most of their individual and concerted numbers.

This production is due to be seen in Chesterfield, Middlesbrough and Skegness when the short Stevenage run closes. This is the sort of small-scale but stylish staging of new work which deserves a wider audience; that in turn means that more attention (which includes money) can be alloted to casting and overall production values.

Four and a half-star rating.

Sleeping Beauty plays matinée and late afternoon/early evening performances until 2 April at the Gordon Craig Theatre, Stevenage.

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Filed under Family & children's shows, Music Music theatre & opera, Reviews 2018

Up ‘n’ Under

reviewed at the Gordon Craig Theatre, Stevenage on 1 November

John Godber’s early (1984) play about amateur rugby in his native Yorkshire has been revived by the Gordon Craig Theatre’s artistic director Catherine Lomax.Ben Roddy’s direction keeps the action moving while giving space to the different characters’ soliloquies, delivered straight out to the audience.

Designer Connor Norris has created an apparently sparse setting – goal posts backing moveable pieces which transform the scene between locker-room, pub, playing field and gym – which also embraces the sides of the auditorium. There are some excellent lighting effects from Dawn Meadowcroft, including shadow-puppet style silhouetted sequences.

Central to the story is Phil Stewart’s Arthur, who tries to galvanise the no-hope Wheatsheaf Arms team into something which has a chance of beating local top-boys Cobblers Arms. In this he is aided by gym instructor Hazel (Gemma Oaten), whose efficiency eventually wins the lads’ respect.

Those lads are Phil (Adam Shorey), Frank (Matt Collyer), Tony (Duncan McInnes) and Steve (Chris Aukett). Aukett also plays Cobblers Arms manager Reg, whose bet with Arthur triggers the whole plot. If Arthur’s dilemma takes entre stage, that is not to belittle the often subtle characterisations of his mis-matched team, or  Oaten’s portrait of womanly assurance.

Four star rating.

Up ‘n’ Under runs at the Gordon Craig Theatre, Stevenage until 4 November with matinées on 2 and 4 November.

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Filed under Plays, Reviews 2017