(reviewed at the Mercury Theatre, Colchester on 25 June)
It’s one of the defining photographs of the 1960s – the 20-year old Christine Keeler astride a black plywood chair. The whole murky tangle of high living and low morals, of drug-dealing, cold war espionage which n the end wrecked a Ministerial career and several lives is a familiar one, though books, stage shows and film.
There’s however something subtly different about Tony Franchi and Marion Wells’ musical take on the story. In 16 short scenes we are taken from the teenage Christine’s first foray into London nightlife to the luxury of the Cliveden estate and the traumas by the Old Bailey courtroom. Lindsay Lloyd’s direction uses projections, a minimum of furniture and some nifty choreography by Irene Lincoln to keep the story as lively as the events it unfolds for us.
What’s more, it has tunes. Real catchy tunes put over with aplomb by the 14-strong cast and six-piece stage band under John Chillingworth. “Pops” Murray’s introduction to the world of cabaret switches effortlessly between 3/4 and 2/4 time to notable effect. “Make love not war” is another near-show-stopper, as is “Vodka”, the pseudo-Russian number for Ivanov, the Soviet attaché.
Originally premièred at Colchester’s Headlong Theatre, these performances form part of the Lights Up! festival, the Mercury Theatre’s own new showcase for local dramatic and musical talent.
Lights Up! continues at the Mercury Theatre, Colchester until 12 July.