(reviewed at the Hugh House, Bentwater on 24 June)
Ivan Cutting has revamped his production of some two or three years ago for this new outing of Nick Wood’s stage adaptation of the Arthur Ransome story. The former jet-engine testing facility at the disused (or rather, re-used) RAF Bentwater airfield is a favourite Eastern Angles venue, though designer Rosie Alabaster has chosen to use only a fraction of the cavernous space.
The cast of four – Rosalind Steele as Susan (the eldest of the siblings), Joel Sams as her older brother John, Matilda Howe as family baby Titty and Christopher Buckley as th in-between brother Roger – also play respectively the naval officer father, his wife and the children’s mother, the Dutch pilot and Jim, whose uncle’s boat is the terrain for the adventure.
A partly realistic boat deck with its galley and bunk-bed accommodation is the main element of Alabaster’s set. Paschal McGuire’s animations on stretched white sails at either end of the acting area (they also box in the audience) suggest the turbulence and congestion of the North Sea once the four find themselves offshore. Stuart Brindle’s sound design incorporates a hint of Shostakovitch (top marks for not using Britten’s Peter Grimes‘ sea interludes) as well as the sounds of the sea.
Because the cast play it with utter conviction, they catch the audience’s imagination and make it work in tune with their own mime and gestures. Imagination is a far more effective painter than fake realism in many theatrical instances as Cutting’s production proves. You don’t need to be a sailor yourself to understand the pleasures as well as the pains of messing about in boats. I suspect that we shall see this production again.
We Didn’t Mean To Go To Sea runs as the Hush House, Bentwater until 9 July with matinées on 25, 26 and 29 June, 2, 3, 5, 6 and 9 July. It then transfers to Neme Park, Peterborough between 13 and 17 July.