(reviewed at the Queen’s Theatre, Hornchurch on 18 April)
Nichola McAuliffe’s new comedy The Silver Gym premiered at Hornchurch’s Queen’s Theatre is in the tradition exemplified by Richard Harris’ Stepping Out of 1984. We meet a disparate group of women signing up for the gym which former soldier Stella (played by McAuliffe) is setting up in a near-derelict building in an equally ramshackle part of town.
Stella has ploughed all her savings into the venture; at first one wonders why on earth she should do it. Her new clients are nigab-masked Assieh (Susan Aderin), Jewish former pole-dancer Lysette (Kim Ismay), overweight Cerise (Pauline Daniels) and Violet (Suzanne Bygrave) and that token man Franklyn (Peter Straker), a street trader of fruit and vegetables. His laid-back performance almost runs away with the show
She also has a secretary Doucette (Houmi Miura), Rather more interested in doing her manicure than actually working. Into this mix add Casey (Carol Sloman), an upper middle-class wife with an agenda of her own. It’s all directed with considerable fire by Glen Walford within a realistic setting by Amy Yardley which works well until the final intended show-stopper sequence.
The individual performances are all very good; we can sometimes feel during our encounter with these slightly oddball people that we might might encounter them on the street in everyday life. McAuliffe has done her best to show us human beings, well aided by her cast, director and in the initial design. But ultimately they are types. Not quite two-dimensional, but never fully three-dimensional either.
The Silver Gym runs at the Queen’s Theatre, Hornchurch until 7 May with matinée performances on 21 and 30 April.
(reviewed at the Queen’s Theatre, Hornchurch on 4 December 2015)
It can be tricky for a theatre to decide on which traditional story is to be the basis for this year’s pantomime. One for the girls? or one for the boys? Aladdin was a favourite last year, and here it is once again winning the popularity stakes.
Matt Devit is the director for this year’s Hornchurch show with a script by Nicholas Pegg, designs by Mark Walters and original music and arrangements by Carol Sloman. This is a team which knows its audience and gives it a clever blend of twists on tradition to hold child and adult attention alike.
In a career first, Fred Broom plays Widow Twankey. He has clear ideas about how the Dame role should be played and has eye make-up which looks like a tribute to the 19th century’s favourite Dame Dan Leno as well as a nice line in outrageous frocks. Twankey also has a running “Chinese proverb says…” joke.
Starting it all off is Sam Pay’s Abanazar, as slinky and slimy a villain as you could wish to encounter in or our of his green follow-spot. That endangered species, the female Principal Boy, is represented by thigh-slapping, heel-booted Naomi Bullock. She has just the right degree of swagger which the part demands.
Rachel Nottingham doubles Princess Jasmine (not a lady to be walked over) and the Essex-girl Slave of the Ring. The Genie of the Lamp and the oh-so-obsequious Vizier are doubled by Thomas Sutcliffe. But of all the characters, it is Wishee Washee who the youngsters really take to their hearts. This year it’s Matthew Quinn’s turn to keep the audience returning his greetings and be the fall-guy at his mother’s laundry.
The Emperor is Callum Hughes – and look out for the Yeti once the snowy regions of Tibet are encountered. Dan de Cruz leads the three-piece band; the “we’re okay” number is particularly catchy and the choreography of Donna Berlin and Hannah Harris fills the stage with movement.
Aladdin runs at the Queen’s Theatre, Hornchurch until 9 January.