Tag Archives: Birmingham Stage Company

Awful Auntie

reviewed at the Regent Theatre, Ipswich on 19 September

Ghost legend? Morality tale? Horror story? All and any of these for a young audience? It was to be David Walliams’ Awful Auntie. The title character really does live up to her name as she tries to take over the ancestral home from its rightful owner.

Neal Foster’s stage adaptation doesn’t try to simplify the issues involved. Young Lady Stella Saxby wakes from an induced coma to find her parents dead and her father’s sister Alberta trying just a little too obviously to obtain the deeds to the family estate – we’re in the 1930s, by the way.

Doors creak, Alberta’s tame Bavarian owl Wagner menaces, there’s an elderly butler Gibbon straight out of Dracula and a 19th century chimney-sweep materialises in the coal store.

Set and costume designer Jacqueline Trousdale, sound designer Nick Sagar, special effects designer Scott Penrose and puppet maker Sue Dacre make sure that we’re caught up in the drama.

The setting is basically four towers which revolve to display various locations and their rabbit-warren of secrets. Visually it makes the actors work pretty hard to make their own impact, especially when Wagner ((Roberta Bellekom) and an enormously long (and lazy) dog are concerned.

Georgina Leonidas makes a sparkish heroine, every bit as obstinate as Richard James’ ferocity as Aunt Alberta. Harry Sutherland dodders engagingly as Gibbon, and Ashley Cousins’ Soot offers a sense of what his short life must have been like, passed from an orphanage to an inhumane master.

Touring shows, such as this Birmingham Stage Company one, have to adapt rapidly to the acoustics of the theatres they visit. For my taste, on the opening night in Ipswich, the actors were over-miked  almost to the point of distortion.

This is a pity, because it’s one of those shows which give pleasure in many ways to the older members of the audience as well as to the youngsters.

Four star rating.

Awful Auntie runs at the Regent Theatre, Ipswich until 23 September with matinées on 22 and 23 September. It also plays at the Theatre Royal, Norwich between 8 and 10 November.

Leave a Comment

Filed under Family & children's shows, Reviews 2018

Groovy Greeks

(reviewed at the Civic Theatre, Chelmsford on 23 October)

The voice of the king of the gods, Zeus himself, is a fitting introduction to this latest addition to the Birmingham Stage Company’s repertoire of Horrible Histories. Appropriately enough, he’s Terry Deary, actor-author of the original series of books.

In Groovy Greeks Zeus is confronted by a modern family. There’s Mum (Laura Dalgleish), bright-as-a-button daughter Alice (Hannah Boyce) who is just as inquisitive as her Lewis Carroll namesake, somewhat know-all Dad (Charlie Buckland) and stroppy son Rob (Ashley Bowden).

They are invited (threatened? challenged?) by Zeus to enter the world of the highly competitive ancient Greeks. Troy and its ten-year siege is the appropriate beginning. Rob confuses Homer the poet with the Simpsons’ patriarch which allows for some clever cartoon-derived headgear designed, as are the projections by Jacqueline Trousdale.

The harsh, military-focussed city-state of Sparta, the Olympic Games and the rise of Athens are the next to tax our quartet’s survival skills. Slavery was a fact of everyday life in the ancient world; there’s a timely statistical reminder that it’s still prevalent today.

Horrible Histories on stage wouldn’t live up to their name without Bogglevision, as devised by Whizzbang 3D Production. The Minotaur lurks in a distorted labyrinth to claim his tribute of young human flesh. His vanquishing by Theseus is attended by some fright-inducing spiders as well as other monsters.

Both the historical encounters with the Persian empire – Leonides’ doomed but heroic defence of the Thermopylae Pass and the vital sea battle at Salamis are alive with hurled spears and rocks (I challenge you not to duck!), the foam and hiss of oar-beaten waves and the crunch of armoured prows caving in wooden triremes.

Tere’s a hilarious Britain’s Got Talentt-style contests for the audience’s favour with Aphrodite’s sexy show-girl routine easily out-voting Poseidon’s trident-waving rock star or Athena’s pop singer attempt. Our time travellers return to the present-day having learned a lot about the past and the way in which it continues to inform the present.

You see, history really can be great fun. It just takes imagination.

Groovy Greeks runs in repertoire with Incredible Invaders at the Civic Theatre, Chelmsford until 24 Octover and also at the Arts Theatre, Cambridge between 26 and 31 October.

Leave a Comment

Filed under Family & children's shows, Reviews 2015

Incredible Invaders


 
(reviewed at the Civic Theatre, Chelmsford on 20 October)

 

Horrible Histories, in print, on television or – best of all – live on stage throw a particularly well-disguised punch at their public. You learn something while enjoying the experience. Take Incredible Invaders, for instance.

England from 56BC to that final lethal invasion of AD1066 covers a lot of ground, both literally and metaphorically. Linking it all is an outspoken British girl called Mavis (Hannah Boyce) who has the audience immediately on her side as her potential sacrifice by the Druids is interrupted by the Roman army (well, just two soldiers) – but who can afford a cast of thousands these days?

Neal Foster has written the scripts as well as directing the fast-moving action. But it’s the work of set, costume and screen image designer Jacqueline Trousdale that really takes centre stage. The projections give us a three-dimension set even before the second half intervention of the Whizzbang Bogglevision sequences.

After the Romans (in retrospect probably the best of the invaders) and the suitably wild revolt by Boudicca (Laura Dalgleish) come the Saxons with some particularly nasty execution practices (Foster doesn’t veer away from these). Ashley Bowden and Charlie Buckland stand in for Hengest and Horsa as the fragmented Britannia succumbs to a different sort of brute strength.

The Vikings, those Norsemen who also colonised Normandy, arrive in their longboats, one of which has a marvellous, slightly camp talking figurehead. King Alfred (Bowden) now takes centre stage with his possibly mythical cake-burning (Arthur has already been dismissed as mere legend). We may think of him as a good and just ruler but Foster makes clear that late 9th century justice had its own savageries.

And so to the Normans and the Battle of Hastings, flowing in Bogglevision straight out of the Bayeux Tapestry. Adults in the mid-week audience may have thought that their attendance was something of a chore. My impression is that they revelled in it all just as much as the children did.

Incredible Invaders plays in repertory with Groovy Greeks at the Civic Theatre, Chelmsford until 20 October and at the Arts Theatre, Cambridge between 27 and 31 October.

Leave a Comment

Filed under Family & children's shows, Reviews 2015