(reviewed at the Mercury Theatre, Colchester on 3 De ember)
The book for this year’s Mercury pantomime is by Fine Time Fontayne and the theatre’s arttistic director Daniel Buckroyd, who is also responsible for the staging. Both the sets and scene drops are by David Shields; his costumes are colourful with some marvellously over-the-top wigs for Antony Stuart-Hicks’ Sarah the Cook. Stuart-Hicks has a flirtatious way with the audeince, suggestive of high camp but always remembering the younger members of the audience.
Two theatre favourites are in the cast – Dale Superville as Idle Jack and Ignatius Anthony as Rayy King, a tycoon with a novel approach to rodent recycling and designs on the London mayoral dignity. Fairy Bow-Bells (Barbara Hockaday) needs all her magic to keep his amibitions in check. Fortunately naîve country-boy Dick (Glen Adamson) has his own aide, in the shape of Gracie Lai’s zebra-striped black-and-white Thomasina, indeed a moggie with attitude.
Grace Eccle makes a charming Alice with Richard Earl bumbling around in his spice emporium as Alderman Fitzwarren. Three hallowed gag scenes – cake-making in the kitchen, “The twelve days of Christmas” and the bench ghost – are all given a novel twist (I won’t spoil their impact by describing these – find out for yourself!) and Charlie Morgan’s choreography makes a real impact. Musical director Richard Reeday provides some sympathetic accompaniments.
Jack and the Beanstalk runs at the Mercury Theatre, Colchester until 8 January. Check the theatre website (mwrcurytheatre.co.uk) for performance times.
(reviewed at the Mercury Theatre, Colchester on 15 August)
Roald Dahl’s story in the David Wood adaptation is a perennial favourite with young audiences. Older children and family members can also enjoy this clever new staging by Matthew Cullum in which the design elements by Tina Bramman, the lighting by Mark Dymock and the music by Grant Olding play an equally important role.
The audience is fully involved, with chases through the auditorium, passing a huge peach-coloured beach-ball to and from the actors and responding to the string, woodwind, brass and percussion instruments adeptly handled by the cast. There is a clever use of puppetry, with a voracious seagull a clear favourite and a slightly spooky scarecrow man (who gives James the magic seeds) vying with a brace of sea-monsters for second place.
James Le Lacheur is a likeable and credibly boyish James, assisted in his escape from his horrible aunts Sponge and Spiker by insect friends. Josie Dunn is the Cossack-style Miss Spider, Dale Superville the slightly boastful Centipede and Peter Ashmore the suave fiddle-playing Grasshopper. Then there’s Kate Adams’ Miss Marple of a Ladybird, Matthew Rutherford’s lugubrious Earthworm and Barbara Hockaday as just about everyone else.
This production is one in artistic director Daniel Buckroyd’s Made in Colchester season. At a time of year when most theatres in East Anglia are occupied with more adult, even florid, fare a long run for a family-friendly show is to be welcomed. And this is a very good one.
James and the Giant Peach continues its run at the Mercury Theatre, Colchester until 30 August.