Tag Archives: Andrew Joshi

The Railway Childen

reviewed at the Theatre Royal, Norwich on 31 July

How do you stage a family classic novel by E Nesbit which has already been filmed both for television and cinema many times? Particularly when the show on question is a touring one and the story involves trains and railway tunnels – not to mention London and remote country locations.

If you’re Paul Jepson, Exeter’s Northcott Theatre director, you call in a designer who knows how to combine realistic stage settings with clever projections – Timothy Bird in this instance – and let Dave Simpson’s script find its own space in this turn of the 19th into 20th century story.

It works excellently, thanks to some strong performances delivered with just the right sort of conviction to make 21st century children and teenagers accept the manners and conventions of more than 100 years ago.

Millie’s Turner as Roberta (known as Bobbie) and Joy Brook as her mother, coping with her husband’s mysterious arrest, a total loss of London-based income and the necessity of living as cheaply and low-profile as possible in the countryside, are both thoroughly credible, as is Katherine Carlton has sister Phyllis. Turner is particularly good as showing a teenager on the cusp of womanhood and learning to cope with unexpected responsibilities.

As the old gentleman who acts as a kind of deus ex machina to the family, Neil Savage gives an object lesson in how to make every line tell, with the aid of miking. Younger actors, please take note. Stewart Wright as station-master Perks, Will Richards and Andrew Joshi give stalwart support. The backdrops are well-lit by Dominic Jeffrey and the train and tunnel sequences make their own applause-worthy impact.

Four and a half-star rating.

The Railway Children runs at the Theatre Royal, Norwich until 5 August with matinées on 2 and 5 August. it can also be seen at the Derngate Theatre, Northampton between 19 and 24 September.

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Breakfast at Tiffany’s

(reviewed at the Theatre Royal, Norwich on 14 November)

Forget the sanitised 1961 film with Audrey Hepburn as Holly Golightly and Mickey Rooney as Mr Yunioshi – this Richard Greenberg stage adaptation sticks far more closely to the nucleus of Truman Capote’s novel. It’s briskly directed by Nicolai Foster with a clever set by Matthew Wright, whose costumes allow for a number of rapid changes.

Matt Barber as struggling writer Fred, perched in an attic bedsitter carved out of a decaying brownstone mansion, gives a fine performance of a young man finding his feet in the Big City while discovering that actual jobs as well as literary patronage come with a price tag. Holly is Georgia May Foote, hurling through her lines with the same speed as the girl she portrays whisks from one potential (and wealthy) suitor to another. She singings “Moon River” charmingly.

It’s a production well endowed with character studies, sketched in with a lightning and blistering pen. Robert Calvert’s Doc, who comes to New York to retrieve his long-vanished bride, Melanie La Barrie and Katy Allen as a brace of fading poseuses, Andrew Joshi as Yunioshi and Charlie de Melo as Brazialian playboy with presidential aspirations are are excellent.

Put a live animal in any live show – play, musical, opera or ballet – and a British audience can be guaanteed to focus attention on it. Here we have the most laid-back of white longhaired cats, Bob, who takes it all in his stide or, more accurately, eye-commanding meander acoss the stage. He really should have taken a curtain-call.

Breakfast at Tiffany’s runs as the Theatre Royal, Norwich until 19 Devember with matinées on 16 and 19 November.

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Filed under Plays, Reviews 2016