(reviewed at the Sir John Mills Theatre, Ipswich on 21 August)
Common Ground Theatre Company has found a rich seam to mine in 19th and early 20th century adventure novels. its take on The Prisoner of Zenda is now followed by The Count of Monte Cristo. By the end of Act One I was convinced that this was going to be simply Part One of a two-part sequence of adaptations – but I was wrong.
After the interval the rest of the novel rushes by in true picaresque fashion; it’s worth remembering that Dumas’ historical stories were designed for an adult readership and contain considerable contemporary political comment, not to say satire. Pat Whymark’s adaptation frames the whole thing with a meeting of an undergraduate Dumas appreciation club (cue running joke about mustard). She also directs and has provided yet another of her tuneful scores as well.
The five-strong cast works very hard portraying a vast number of different characters with multiple wig and jacket changes, not to say gender shifts. Lorna Garside and Alice Mottram share the major women’s roles (and several of the masculine ones as well). Charles Davies, Joseph Lear and Nicholas Underwood are the three male actors.
The Count of Monte Cristo tours East Anglia until 3 October and is Upstairs at the Gatehouse, Highgate between 24 and 27 August.
(reviewed at the Sir John Mills Theatre, Ipswich on 11 July)
Pat Whymark’s new one-act play for the Common Ground Theatre Company she runs with Julian Harries is a fairly raw slice of modern life gift-wrapped in salsa. The story concerns two young women fumbling their way out of teenage into an adult world unlikely to teach them moral maturity. Would it be worthwhile, anyway?
Kath is homeless, living rough on the outer London streets. Delia is heading fast in that direction. It becomes clear that Kath (comfortable middle-class background, albeit through adoption not birth) has chosen this lifestyle. Delia’s mother has died, and she’s in pursuit of the father who abandoned them when she was seven years old.
That father might be Len, compulsive gambler, wheeler-dealer, dodgy benefits claimant – you name it, he’s tried that wheeze a couple of times. In the course of an hour, we find ourselves caught up in their drama as Lorna Garside (Kath), Delia (Alice Mottram) and Harries draw us into their disfunctional worlds of survival-for-the-moment.
Both girls give performances which cleverly balance abrasive vulnerability with humour – even if that’s sometimes of the graveyard variety. Harries steps in and out of Len’s wide-boy carapace to add bite to the flamboyance. Len may think he’s the top dog. Any woman can see that he’s no such thing.
Stranded can also be seen at the Thatcher’s Arms, Mount Bures on 14 July, the Jubilee Hall, Aldeburgh on 15 July and St Mary’s church hall, Walton on 17 July.