Tag Archives: Alexandra Stafford

Babe, the Sheep-Pig

reviewed at the Mercury Theatre, Colchester on 2 August

It’s not surprising that Dick King-Smith’s book The Sheep-Pig has won hearts since 1983. The eponymous hero Babe is a heart-stealer, well personified in the realistic puppet ably manipulated by Jonathan Cobb in Katie Posner’s new production of the David Wood stage adaptation for the Mercury Theatre.

You may never have been within touching proximity to a sheep or a pig until it reaches your plate, but farm animals of all kinds have parading before us from earliest childhood, in picture books, bedtime stories and television animation.

Sheep-dog trials have become a television favourite. Is it the unpredictability – so much depends on animal as well as human behaviour?  Or is it that they blend a unique combination of scenic location with hard-learnt skills?

Babe’s mentor on Mr and Mrs Hoggett (Gareth Clarke and Heather Phoenix)’s farm is sheep-dog Fly (Jessica Dyas). Dyas establishes a rapport with the young audience  from her first entrance as she introduces the bewildered piglet to the other animals.

These include the supercilious cat (Rachel Hammond), the blowing-his-own-trumpet cockerel (Joseph Tweedale and the strutting turkey (James Peake). Not that country life is all sunshine and fodder. it also harbours both human and animal predators.

Among the victims is old ewe Ma (Ebony Feare). The picture-book settings and animal costumes by Sara Perks work well, as does Alexandra Stafford’s lighting; the catchy score is by Richard Reeday.

There are occasions when one feels that adult audience members are there as a sort of penance. This is one of those shows which appeals on all age levels, clever enough to hold grown-up attention while subtly draping the central philosophy of courtesy as well as skill with an almost hypnotic rhythm.

Five star rating.

Babe, the Sheep-Pig runs at the Mercury Theatre, Colchester until 26 August with daytime performances.

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Filed under Family & children's shows, Reviews 2018

The Ladykillers

reviewed at the New Wolsey Theatre, Ipswich on 13 September

It by no means detracts from the excellent performances by the animated cast members to say that the runaway star of Graham Linehan’s stage version of the Ealing Studios 1955 hit The Ladykillers is Foxton’s set.

This is the beautifully detailed exterior (we are still mired in postwar scarred buildings with make-do interiors) of Mrs Wilberforce’s house in the noisy shadow of St Pancras railway station, complete with working signals and billowing clouds of steam.

Mrs Wilberforce (Ann Penfold) and Constable Macdonald (Marcus Houden) are solving what she thinks is a refugee Nazi problem and he knows is simply the local newsagent who has a strong North Country accent. It isn’t the first time he has had to correct her imagination. Her next visitor, hoping to rent the room she has advertised to let, is Professor Marcus (Steven Elliott).

Swathed in a serpentine college scarf (which provides a running joke throughout the play) he is, of course, the mastermind behind a planned bullion heist. His brain may have worked it out to the last detail and split second, but that’s to discount his motley crew of accomplices.

They include Graham Seed’s Major Courtney, a self-proclaimed war hero with a penchant for women’s clothes; this is a cleverly nuanced performance which shows the pain behind the necessary pretense of thorough-going masculinity. Then there’s Cockney spiv and wideboy Harry (Sam Lupton), who’s not as bright as he thinks he is.

Brain-damaged former boxer One-Round is played by Damien Williams as everybody’s stooge while Louis Harvey is that thoroughly nasty piece of flick-knife violence Louis Harvey. Director Peter Rowe keeps the action fast-moving while lighting designer Alexandra Stafford and composer-sound designer Rebecca Applin make notable contributions.

This is a co-production between the New Wolsey Theatre, Ipswich, the Queen’s Theatre, Hornchurch and the Salisbury Playhouse. I suspect it will be just as enthusiastically received in the other venues as by the Ipswich audience. We all thoroughly enjoyed ourselves.

Five star rating.

The Ladykillers runs at the New Wolsey Theatre, Ipswich until 30 September with matinées on 16, 19, 20, 23, 27 and 30 September. It transfers to the Queen’s Theatre, Hornchurch between 3 and 17 October.

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